This is an original pencil signed mezzotint by British artist Sir Frank Short. The subject is Sir Francis Seymour Haden aged 74. Haden was the "Father Figure of the British etching Revival". This image measures 11 1/8X14 1/4 inches. This mezzotint was created after the painting by G.P. Jacomb Hood. This mezzotint is in perfect condition, nicely framed with archival materials.
This is a fine original lithograph by French artist Eugene Carriere. The title is Homage to Tolstoy (Consolation) Created and printed in 1901. This impression is hand signed lower right border. The image measures 9X6 inches, printed on a Hand made Japan type laid sheet. This lithograph is nicely framed with archival materials. "Eugène Anatole Carrière was a French Symbolist artist of the fin-de-siècle period. Carrière's paintings are best known for their near-monochrome brown palette and their ethereal, dreamlike quality. He was a close friend of Auguste Rodin and his work likely influenced Pablo Picasso's "
Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This rare, early state etching is a perfect example of the combination of classicism and modernism of Davies' work.
This is a very rare original lithograph by American artist Frank Cassara. This litho is known by two names, Drillers and on our impression is titled Air Hammers. This pencil signed lithograph was created and printed in 1939 in a very small edition. The image measures 11 1/2X9 1/2 inches. Printed on a medium weight wove type sheet with a "Navarre" watermark. This image was created for the W.P.A.
Etching by Jacques Reich after the painting by Giovanni Boldini, image size 20 5/8 x 11 1/2 inches, 1916, pencil signed. Whistler's signature is etched below the image, Boldini's in the lower left corner of the image.
This is a finely detailed mezzotint by American artist Reynold Weidenaar., This image is titled: Demolition in the Plaza Del Toro, it was created and printed in 1950 and sold by Associated American Artists in New York. The pencil signed impression measures 12 7/8X9 inches. Also pencil titled in the lower left border. A very rich impression, printed on a wove type sheet.
This is an original pencil signed lithograph by American artist Joseph Pennell. He traveled down to Panama in 1912 to record the building of the Canal. He created a series of images from that trip. This image is titled Cranes at Miraflores Lock, Panama, Printed in an edition of only 100. This image measures 22 1/4X16 3/4 inches on a Fabiano watermarked, laid type paper. Sheet size is 25 1/2X 20 1/2 inches.
This is a very rare etching from a scarce, unpublished plate by Francis Sydney Unwin. The image size is 12 1/8 x 16 inches, 1916, pencil signed; a richly inked impression on a fine cream colored Japan paper. Unwin studied at the Winchester School of Art and the Slade School; he traveled extensively throughout Europe and spent several months in Egypt drawing the tomb interiors for an archaeological expedition. He then settled in London, becoming known for his landscapes and remarkable interior architectural views, such as this finely detailed image of the Albert Hall. Unwin died at the age of 40, after suffering from tuberculosis for much of his adult life.
Etching, image size 11 1/2 x 18 1/4 inches, 1889, pencil signed, published by Wunderlick, New York.
This is a fine watercolor painting by British artist Myles Birket Foster (1825-1899) The title is Along the Cornish Coast, created circa 1890 this painting has the artist's monogram 'BF" lower left corner. The painting measures 8 1/2X20 inches, with the original gold matting in a modern gold frame. Myles Birket Foster RWS was a British illustrator, watercolourist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
This is an original etching with aquatint and drypoint by French artist Louis Legrand. The title is: L'Habillage (Dressing) a back stage view done for the La Petite Classe, a series of 12 images that Legrand created as a portfolio in 1908. The image measures 16 3/4X11 3/4 inches. This was the 4th state of 5 which includes the Remarque of a racehorse, printed in an edition of 30. Signed in pencil and numbered,14/30. This image appears in the Arwas catalog as image number 369. This etching printed on a buff toned sheet is archivally framed. This image was used as the cover of the Arwas catalog.
This is a fine orignal etching by American artist Stephen Parrish. The title is: Gloucester Ferry, this etching was created and printed in 1881. The image is pencil signed lower right border, the image measures 9 3/8X14 5/8 inches. This image appears in the Schneider catalog as image number 47. Nice use of plate tone in the sea and sky.
This is an original drypoint and aquatint etching by French artist Jacques VIllon, The title is: Petite boudeuse, created and printed in 1905 in an edition of 50. Hand signed in pencil, the image printed in sepia ink measures 13 3/4X9 inches. This image appears in the Ginestet/Pouillon catalog as image number 129 ii/ii.
This is an original pencil signed and titled lithograph by American artist Henry Ziegler. This image is titled: The Last Fight in Old Madison Square Garden, it was created and printed in 1925. This large image measures 14 1/2X19 3/4 inches. Printed on a medium weight wove type paper. One of Ziegler's most impressive lithographs.
This is an original oil on canvas painting by German American artist Hugo Breul (1854-1910) This painting is signed lower left corner. The canvas measures 9X6 inches. The frame is 10 1/2X7 1/2 inches. A fine rich multi layer amber glazing to the portrait. Very well captured. In what appears to be the original early Whistler style frame. We feel that this painting dates from the late 1890's.
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