Featured Prints

This is an original etching by British artist Edmund Blampied.   The title is: "The Vraic Season (No 1)" , it was created and printed in 1936 in an edition of 125 for the American College Society of Print Collectors.  The image measures 12X14 1/4 inches.  Very fine condition, hand signed in ink.  Vraic is seaweed that was harvested on the Channel Islands and used for potato fields.  The usual method was gathering it up with horse drawn carts.  A rich impression.

This is a very fine etching with drypoint by French artist Edgar Chahine (1874-1947)  The title of this work is: "Mademoiselle Delvair de la Comedie Francaise,", it was created and printed in 1901, pencil signed lower left border.  The image measures 18X11 1/2 inches.  Printed on a medium weight wove type paper.  This image appears in the Tabanelli catalog as image no. 73.  It also appeared in the Holme's book, Modern Etching and Engraving, published 1902.

A soft ground etching by German Expressionist artist Lovis Corinth, this image measures 12 1/2 x 9 3/8 inches, published in 1910 in an edition of 50 impressions, state I/III, cat: Schwarz-41,"LC" monogram in the upper left of the image, a faded signature below the image, framed. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He later returned to Germany and became a member and eventually president of the Berlin "Sezession." Corinth is best known for his prints and paintings of figures and portraits.

This soft ground etching and aquatint was created by Austrian artist Tavik F. Simon.  It is titled: Les Halles Et L' Eglise Saint Eustache, Paris.  A fine view of Notre Dame and the street life of Paris.  This etching was created and printed in 1926 and is described as an artist Proof in the Novak Catalog, numbered as: 1926AP3.  The image measures 13 1/4X15 inches.  Pencil signed lower right and has an edition number of 16. In an early Frame with French matting.

This is a very fine original etching by Stephen Parrish, published by Keppel in 1881. The image size is 12 x 19 inches, cat: Schneider-49, plate signed and titled, pencil signed. According to Schneider, this atmospheric image of the Massachusetts shore was one of Parrish's most popular etchings. This print features a very richly inked impression with beautiful plate tone, printed on a medium weight wove type paper with ample margins.

This is an original drypoint etching by German Expressionist  artist Lovis Corinth (1858-1925)   The title of this work is: "Alter Mann" (the old man) It was created and printed in 1916.  The image measures 6 5/8X4 3/4 inches.  Signed in pencil in the lower border.Printed on a light weight laid type paper, very nice condition.

This is a fine original lithograph by American artist Lily S. Converse.  The subject is Ranchos Church, Taos, created and printed circa 1940.  This pencil signed image measures 9 3/8X13 1/2 inches.  It is numbered as 14/25 and came from the collection of Henry Emil Scherer.  Printed on a medium weight wove type sheet.  Two of her lithographs are in the collection of National Gallery of Art in Washington.

This is a rare original mezzotint by British artist, Sir Francis Seymour Haden. The title of this work is: "Harlech No II", it was created and printed in 1880. A combination of mezzotint, etching and drypoint, hand signed in pencil lower left border. This image appears in the Schneiderman catalog as image number 197. The image measures 8X11 3/4 inches. This is the V state of V.. This is a rarely seen image by Haden. Richly inked and printed.

This is a large pencil signed color etching by Austrian artist T.F. Simon.  The title is: Charles Bridge in Winter, Prague, created and printed in 1916 in an edition of 100.  A large work by Simon measuring an image of 15 3/4X20 5/8 inches.  A finely detailed work.  Printed on a medium weight wove type sheet.  Novak 255

This is an original pencil signed lithograph by American artist Joseph Pennell.  As part of his Panama Canal Series, this image is titled: Colon.  Created and printed in 1912.  The image measures 22X16 inches on a Fabiano Laid type paper which measures 25 1/2X20 1/2 inches.

This is an original pencil signed lithograph by American artist Stow Wengenroth.  The title is Spirit of New England, a scene from Kennebunk, Maine done in November of 1956.  This image measures 9 1/8X17 13/16 inches.  Printed in an edition of only 45 impressions.  This image appears in the Stuckey catalog as image number 234.  This interior was made from the Congregational Church , Kennebunk, Maine.

This is a pencil signed lithograph by American artist Joseph Pennell, as part of his Panama Canal series that he created in 1912.  This image is titled:  A Native Village.  The image measures 16 1/2X22 1/8 inches, on a sheet of Fabiano laid type paper which measures 20 1/2X 25 1/2 inches.

This is an original pencil signed lithograph by American artist Joseph Pennell.  This image is part of his Panama Canal series created and printed in 1912.  The title is: "The Jungle",  The image measures 17X22 inches, printed on a Fabiano laid type sheet which measures 20 1/2X25 1/2 inches.

This is a fine detailed etching by American artist John Taylor Arms.  This image from his Spanish Church series is titled: La Colegiata, Toro, it was created and printed in 1935 in an edition of 153 impressions.  This pencil signed image measures 9 3/4X12 3/4 inches.  It is inscribed, gifted to: Mr. and Mrs Andrew Daglish (The British artist and Friend of Arms)  Printed on an antique laid type paper.  This impression was printed by David Strang, one of Arm's most trusted printers of his editions.

This is a fine woodcut print by Jamaican artist Albert Huie.  This image is hand signed in pencil and titled: Seaside.  The image measures 9X6 1/2 inches.  Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.”