This is a pencil signed etching by American artist Charles Adams Platt. The title is: Inner Port, Trouville, France, created and printed in 1888. The image measures 6 1/4X9 1/4 inches. Nicely framed with archival boards.
A beautiful sun drenched scene by Walter MacEwen, etching, image size 10 x 5 7/8 inches, c. 1910, printed by Delatre, pencil signed. Born in Chicago, MacEwen traveled to Europe to study art, first in Munich with Frank Duveneck, then in Paris with Corman and Robert-Fleury. He stayed in Europe for many years with studios in both Paris and Holland, where he was also a founding member of the Egmond Artist Colony. Primarily a painter, MacEwen was known for his impressionistic portraits and genre scenes which were quite well received in both Europe and America. His etchings, which are quite scarce, are developed in a very painterly style, reflecting the delicate use of light and shadow of his paintings.
This is an original engraving by Paulus Pontius after the painting by Anthony Van Dyck. The image size is 9 5/8 x 6 3/4 inches, c. 1700s, inscribed "Ant. van Dyck pinxit" and "Paul. du pont sculpt" in the lower left margin, with the title and a phrase in Latin below the image, with the original Kennedy Gallery label. Stalbent was a Flemish landscape painter and friend of Anthony Van Dyck when this portrait was painted. This engraving is printed on a very early laid type paper with margins trimmed to approximately 1/4 inch outside of the plate mark, some foxing as is to be expected in a print of this age.
This is a remarkable original etching by William Lionel Wyllie, image size 9 1/4 x 14 inches, c. 1900, pencil signed, titled on the lower edge of the sheet. Wyllie was a well known marine painter and printmaker in early 20th century London. He studied at the Heatherley School of Fine Art, then at the age of 15 began his studies at the Royal Academy. At the age of 18, Wyllie won the Turner Gold Medal for his painting "Dawn After A Storm". He went on to have a long artistic career, specializing in paintings and etchings of the sea and the city of London. In this etching, Wyllie uses remarkably delicate lines and subtle tones to create an atmospheric image of fishing boats setting out to sea.
This is an early engraving by Bernardus Baron (1696-1766) Portrait of "John, Count of Nassau-Siegen and family", This engraving was created and printed in 1761. It is after the painting by Van Dyck. The engraving measures 20 1/2X18 1/2 inches, trimmed on the three sides, a tear in the upper right corner, not into the image area.Printed on a heavy weight laid type paper.
This atmospheric winter scene by the American artist, Ronau Woiceske measures 8 3/8 x 11 inches, pencil signed and titled. Woiceske was born in Bloomington Indiana and studied at the St Louis School of Fine Arts and at the Artist Colony in Woodstock, NY with Birge Harrison and John Carlson. He was involved in the WPA, and became known for his atmospheric etchings of snowy winter scenes. He was a member of the Philadelphia Print Club and the National Association of Etchers.
Etching, image size: 3 7/8 x 5 inches, 1888, cat. schneider-145, pencil signed lower right.
This is an original mezzotint by European artist Wallerand Vaillant (1623-1677) This is a portrait of a woman of wealth, it was created and printed circa 1670. The image measures 12 1/2X10 1/2 inches. It is plate signed in the lower right border. Vaillant was one of the first old master printmakers to use the technique of mezzotint. Printed on an early laid type paper.
This is a rare original lithograph by American artist and lithographer William Morris Hunt. The image size is 7 1/2 x 5 5/8 inches, published in a small edition in 1857, after the painting by Hunt which is now in the collection of the MFA Boston. William Morris Hunt was one of the earliest American lithographers. He was also a painter and studied the French Barbizon style in Europe with Millet, a close friend. Hunt is widely credited with bringing the Barbizon style of painting back to the U.S.
This is an original etching by American artist Joseph Pennell. The title is "The Latest Tower", it was created and printed in 1923 in an edition of 40. The image measures 12 1/8X9 1/4 inches. This image is hand signed in pencil with the "imp" after the name meaning that the artist printed this proof himself. This etching is printed on an antique laid type paper. This image appears in the Wuerth catalog as image number 815.
This is an original etching of Baltimore by American artist Gabrielle Clements. It was created and printed in 1924. This etching is signed and dated in the plate lower left and also hand signed in pencil lower right border. This etching has an image size of 10 1/4X12 1/2 inches. Fine use of plate tone in the street and sky. Printed on a medium weight wove type paper. In the foreground is a Battle Monument, created in 1825 and dedicated to the those fighters who fought against the British incursion of 1815...
This is an original color aquatint etching by American artist Lester George Hornby. The title is "Le Fete a Pantin", it was created and printed in 1911 in an edition of 25. The image measures 9 3/4X14 5/8 inches. This etching is hand signed in pencil lower right and printed on a medium weight laid type paper.
This is a rare early drypoint etching by British artist Stanley Anderson. The title is: Perivale, a small town outside of London. This etching was created and printed in 1911. The image measures 5 3/4X9 5/8 inches. Hand signed in pencil lower border and titled lower left border. Printed on a medium weight watermarked with initials, laid type sheet. Fine use of plate tone in the sky area.
This is an original etching by British artist Stanley Anderson. It is titled: The George Inn Public House, Southwark. It was created and printed in 1919 in an edition of 175. The image measures 9 3/4X12 inches, pencil signed lower right and has the blindstamp Fine Art Trade Guild. It was published by Henry Graves. "The George Inn of Borough High Street in Southwark is the only surviving galleried coaching inn in London. It served as an outdoor theatre in Elizabethan times." This image appears in the RAofA catalog as image number 96. Good condition, but we a weakened platemark on the left side, most likely from the printing press pressure.
This is a very large mezzotint by British artist Percival Gaskell. We are unsure of the title, it shows a fine landscape with pond at sunrise. This mezzotint is pencil signed by the artist and printed on a thin chine collet attached to a thicker sheet of wove type paper. The image measures 12 3/34X18 1/4 inches. Some light foxing in the outer border area.
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