This is a fine drypoint etching by French artist Alphonse Legros, the title is: Le Jardinier (The Gardener). This image appears in the Bliss catalog as image number 554. This pencil signed impression measures 6 7/8X10 1/4 inches, printed on a medium weight laid type paper.
This is a fine original drypoint etching by French artist Alphonse Legros. The title is: Coin d'u bois (Corner of the Wood), created circa 1890. This pencil signed image measures 11 7/16X8 7/8 inches. It is printed on a medium weight laid type sheet. It appears in the Bliss catalog as image number 229.
This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894. Haden created a number of remarkable etchings featuring scenes of fishing in the British countryside, of which this is one of his finest.
This is an original etching by French artist Charles Francois Daubigny, the image is plate signed and titled: Le Marais, (The Marsh) it was created and printed in 1851 and is from the third state of six, iii/vi This image appears in the Frankel catalog as image number D-84. A fine impression on a chine collet adhered to a thicker wove type base sheet. This is the edition with title, artist and printer in the lower border.
This is a fine drypoint and etching by French impressionist etcher, Alphonse Legros. This image was created and printed in 1889, hand signed in pencil, printed on a medium weight wove type paper. The image measures 6 7/8X9 1/2 inches. A fine rich impression. Catalog R.105.
Passerelle du Pont-au-Change, après l'incendie de 1621 (The Footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after Della Bella)1860. Etching by French artist Charles Meryon, 1860. This etching has an image size of 4 11/16X9 inches. It is the 7th state of 9 and appears in the Delteil/Wright catalog as image number 50. Published in teh Gazette des Beaux Arts, vol. 8 Nov.1, 1860.
C. 1865. Original etching with drypoint. D-87. iii/v. Catalog: Schneiderman 88, Drake 87. Plate signed, titled, and dated in the lower left: "Calais, S. Haden, 1865, 3 a.m." Pencil signed in the lower right. Image measures 3 x 6 1/8 inches on 6 3/4 x 9 3/8 inch paper. Collector's seal in lower right. An atmospheric print that makes good use of white space.
This is an original etching by British artist Sir Francis Seymour Haden. The title is: The Inn, Purfleet, It was original composed and created in 1869. This etching was done in 11 states, this was the published version and designated as X/XI before the plate was cut down. This etching is pencil signed, the image measures 7X10 inches, printed on a medium weight laid type paper. The image appears in the Schneiderman catalog as image number 127. The scene was taken "from the left bank of the tidal waters of the lower Thames, some twelve miles east of London."
This is an original etching by French artist Alphonse Legros. It is a portrait of British etcher Sir Charles Holroyd. Created circa 1889. This image has a plate size of 11X7 inches, printed on a medium weight laid type paper. This etching is hand signed in pencil lower right corner of the border.
"Sir Charles Holroyd was one of the most prolific etchers of his generation. He was taught by Alphonse Legros at the Slade School of Art and his work shows the considerable influence of his close friend William Strang. Sir Charles Holroyd was appointed first Keeper of the Tate Gallery and later Director of the National Gallery. These posts ensured that he did not need to depend upon printmaking for his livelihood; consequently, his etchings were not issued in formal editions. Impressions of his etchings were only taken when required and, as a result, many of his printed works are very scarce indeed.
Alphonse Legros was the single most influential European printmaker upon the development of the etching revival in England. Born in Dijon, Legros was persuaded to move to London by Whistler, whom he had met in Paris. Legros rapidly achieved recognition for his highly accomplished etchings and in 1875 was placed in charge of the etching class at the Royal College in South Kensington and the following year was made Professor of Fine Art at the influential Slade School. It was during his eighteen years in this post that Legros was to exert a formidable influence upon the direction of an entire generation of British printmakers." ( thank you, Mr. Campbell)
This is an original period engraving by British printmaker, James Sayer. This image is titled: The Patriot Exalted, created and printed in 1792. The patriot exalted' (Charles James Fox; Catherine II, Empress of Russia)
by James Sayers, published by Thomas Cornell
etching and aquatint, published 15 March 1792
15 1/4 in. x 10 7/8 in. (388 mm x 276 mm) plate size; 16 in. x 11 5/8 in. (408 mm x 295 mm) paper size17 1/2X13 1/4 inches.
This framed lithograph by Engelmann after Vernet, measures 17 x 10 3/4 inches. It is plate signed and titled on the lower margin. Godefroy Engelmann was born in 1788 in Mühlhausen, France and trained in Switzerland and France at La Rochelle and Bordeaux. He studied painting and sketching in Jean-Baptiste Regnault’s atelier in Paris. In the summer of 1814 he traveled to Munich, Germany to study lithography and is largely credited with bringing lithography to France.
This is an original Sir Frank Short etching titled: A Dutch Greengrocerie, created and printed in 1889. Hand signed in pencil by Short as well as by his printer Goulding. Printed on a thin laid type sheet the image measures 5X7 7/8 inches. Printed with a warm toned ink. This image appears in the Hardie catalog as image number 237.
This airy, impressionistic line etching depicts a man fishing in a forested landscape. Etched circa 1900, its measurements are 5 7/8 x 7 3/4 inches and it is signed "A. Legros" lower right. Provenance: Baldwin-Wallace College.
Drypoint etching. Max Blach Wien collector's stamp on back. Pencil signed "A. Legros" in the lower right. Plate measures 3 7/8 x 6 3/4 inches on 7 x 9 1/4 inch watermarked laid paper. An atmospheric scene with a rich drypoint burr. Catalog: Bliss 364. A rare print.
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