Prints

Drypoint Etching,1918,edition 75, Hardie 154, Etched from studies made at Berneval, image size 6 3/8 x 8 1/4 inches, blindstamp, pencil signed.

This is a fine etching with aquatint by American artist John Taylor Arms.  The title is: Dawn, Lake Como, created and printed in 1920 in an edition of 76 impressions.  This impression is pencil signed by both the artist and the printer Frederick Reynolds.  Also inscribed as Artists Proof..  The image measures 7 1/8X5 1/8 inches.  This image appears in the Fletcher catalog as image number 53.

Etching, dry point, image size 12 1/4 x 8 1/4 inches, 1922, edition of 100, Tabelli #345, pencil signed l.l. "Edgar Chahine", titled l.r. "Groupe de Sail - Venice".

This is a large original engraving by French artist Albert Decaris, (1901-1988)  This engraving is titled: L'Arbre,  The Tree, located in Besancon France, just outside of Paris.  The image created and printed in 1926 has an image size of 26 1/2X17 1/2 inches.  Printed on a medium weight wove type sheet.  This impression is numbered and signed in pencil in the lower border.  W7/60.  "Decaris was born in Sotteville-lès-Rouen. At age 19, Decaris won the Concours de Rome, which was seen as the premiere award among young French artists at the time. He was elected Fellow of The French Académie des Beaux Arts in 1943".

This is an original woodcut print by American artist Winifred Milius Lubell.  This print is pencil signed, dated and titled by the artist lower border.  Titled The Artist, created and printed in 1937, this is a very rare hand signed impression.  The image printed on a very thin Japan type sheet measures 9 1/4X5 3/4 inches.  A little light rubbing to part of the signature but overall very nice condition.

This is an atmospheric scene of a ship coming into port, pulled by a tugboat; it is rendered with remarkabley delicate lines and a rich yet quite subtle tonal range, giving a strong sense of a soft morning fog over calm waters. The canvas sails of the ship beautifully contrast with the steam of the tug as is dissipates into the misty air. The image measures 19 x 23 inches, published in 1887, pencil signed on the lower right margin. "Copyright R. Cleveland Coxe, 1887, NY" is printed on the lower center, with a remarque of an anchor in the lower left margin. Framed. Coxe studied at the National Academy before going to Paris to study with Leon Bonnat. A painter and etcher, Coxe best works were of seascapes of the New England Coast.

This is a fine atmospheric etching by American artist Frank Benson.  The title is Rain Squall, it was created and printed in 1931.  We believe this to be an early state prior to the published state where the foreground ripples were removed,  The image measures 6 7/8X8 3/4 inches.  This etching appears in the Ordeman catalog as image number 317,  A beautiful work in nice condition.

This fine drypoint etching is by French artist Louis Legrand.  The title is: Le Pochard, one of his night club scenes.  This pencil signed etching measures 8 1/8X5 5/8 inches.  numbered 10/65.   This image appears in the Arwas catalog as image number A 387.  Very fine condition.

Etching, image size 6 7/8 X 4 7/8 inches, 1919, edition of 100, Hardie 169, artist's blindstamp, pencil signed.

This is a fine original etching by British artist Robert S. Austin.  The title is: The Stone Breaker, created and printed in 1925.  The image measures 4 1/8X5 5/16 inches. This impression printed on a tan laid paper with a rams head watermark.  Very fine condition, hand signed in pencil.  Illustrated in the Modern Masters quarterly 1929 published by Salaman.

This is one of the finest etchings by American artist George Elbert Burr.  The title of this work is: High Street, Oxford, circa 1900 when he and his wife spent time touring europe.  A wonderful impression of a rainy night in the city.  Richly inked, pencil signed and titled in the lower border.  The image measures 10X12 inches.  Framed.

This is a scarce etching by Scottish artist David Y. Cameron.  The title is: Robert Lee's Workshop, created and printed in 1905, this is the third state of three.  hand signed in pencil 1/4 inch borders on three sides, more on the bottom.  "This etching shows the boat-builers workshop at Tweedmouth.  The image measures 11 7/8X8 5/8 inches.  Printed on a medium weight laid type sheet.  This image appears in the Rinder catalog as image number 375.

Drypoint etching from 1660. Catalog: Hollstein, Bartsch 34. 3rd state of 5. Inscribed in the lower left is the printer's address: "I Covens et C. Mortier Excudit." Pencil signed "Etch'd by Bega" in the lower right. Plate measures 7 x 6 inches, thread margins on a backing sheet.

"Brixham Trawlers" by Arthur Briscoe measures 5 3/8 x 13 7/8 inches, published in 1929 in an edition of 75. Printed in sepia toned ink on Whatman laid paper, it is ink signed and numbered and also plate signed, dated and titled. Briscoe is known as the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris. His name became internationally renowned when his works sold to the New York market. 

This is an original lino cut by American artist Albert Abramovitz.  This work untitled is of two Masons laying brick.  The image measures 12X9 1/4 inches.  Pencil signed lower right border printed on a wove type buff toned sheet.  This image is likely from his Moscow, Work at night series showing the construction of their Subway system.