20th Century American Prints

This is a very rare first state etching by American artist Frank Benson.  The subject is a portrait of the American violinist and composer Charles Martin Loeffler.  It was created and printed in 1919, with this being one of 6 first state impressions, printed on a laid Van Gelder paper.  The image measures 9 7/8X8 inches, hand signed in pencil, and inscribed first state.  Very fine condition printed in a brown toned ink.  This image appears in the Ordeman catalog as image number 156.  The later published edition numbered only 20 impressions.

This is a fine original etching by American artist John Sloan.  The title is: Sculpture in Washington Square, created and printed in  1925 in an edition of 100, printed with a blue toned ink.  Pencil signed titiled and numbered in the lower border.  Printed on a medium weight wove type sheet.  This image appears in the Sloan catalog as image number 218.  The title refers to the Garialdi statue by the Washington Arch in Washington Square.

This is an early color aquatint etching by American artist John Taylor Arms.  The title is: A Hong Kong Canal Boat, created and printed in 1919 in an edition of only 40 printed in color.  The image measures 8 1/16 X 5 1/2 inches.  this image is pencil signed and appears in the Fletcher catalog as image number 23.  Printed by Frederick Reynolds.

This is a fine pencil signed and dated  lithograph by American artist Yasuo Kuniyoshi.  This image created and printed in 1928, has an image size of 11X6 inches, printed on an ivory toned chine colle, adhered to a thicker supporting sheet.  This lithograph is numbered as 28/30.  Very fine condition apart from a line of toning in the border where an earlier window mat once lay.  Catalog as Davis L-30.

This is an extremely rare lithograph by American artist Louis Lozowick.  The title is: Skating, a view of Central Park in Winter.  This image is hand signed and titled in pencil.  It was published in an edition of 10 or less For the Federal Art Project, New York City.  In the bottom border next to the title is a very faint, faded, WPA stamp.  There is some old glued residue at the upper back of the sheet, it is not visible on the image side.  Overall in very fine condition.  This image appears in the Flint catalog as image number 139.  Printed on a medium weight wove type sheet.

This is a fine drypoint etching by American artist Gerald Geerlings.  The title is: Grand Canal,America, Electrical  Building at Night, created and printed in  1933 in an edition of 100.  The image measures 11 7/8X8 7/8 inches.  This image was created as a presentation print for the Chicago Society of Etchers.  Their blind stamp is in the lower left  corner of the border.  This impression is hand signed by the artist in pencil.  Printed on a medium weight wove type sheet.  A very rich impression. Catalogue Reference: Czestochowski 31

This is a fine image from the series, Churches of France by American artist John Taylor Arms, created and printed in 1921 in an over all edition of 75.  This pencil signed impression measures 4 7/8X8 1/8 inches.  Printed by Frederick Reynolds, this is an early proof prior to the edition which was printed in 1937.  Part of his Gargoyle series #3.  Framed with archival boards.  Fletcher catalog number 101.

This is a scarce original lithograph by American artist Rockwell Kent.  The title is: Foreboding, created and printed in 1926.  The edition of this image was only 50, appearing in the Jones catalog as image number 8, the image measures 11X5 3/8 inches.  Hand signed in pencil lower right border, printed on a Japanese paper.  This print was reproduced in Vanity Fair to illustrate the poem Elaine by Edna st. Vincent Millay.  A transfer lithograph on zink...A very early image by this well known artist and printmaker.

This is one of the finest works by John Taylor Arms etching and aquatint.  It was created and printed in 1940 as image number 1 of his Scandinavian Series.  Pencil signed twice, dedicated to William Schaldach, lower border.  The image measures 7 9/16X13 9/16 inches.  It appears in the Fletcher catalog as image number 346.  It is the third state of three from the edition of 330 impressions.  Printed by David Strang.  This image won 5 prizes between 1941-1948,  Incredible detail, nicely framed with archival materials.

Soft ground etching and aquatint, 8 x 11 7/8 inches, 1918, IV state, edition of about 21, printed by Ernest Haskell, cat. Czestochowski-60, alternatively titled "Autumn", pencil signed lower right.

Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.

This is a fine original drypoint etching by American artist Walter Tittle.  The title is: Church of the Heavenly Rest, which was built in New York City in 1929.  This etching is hand  signed in ink and measures 12X10 inches, nicely framed with archival materials.  A very rich impression, Tittle at his very best...

This is an original hand colored lithograph by American artist Don Freeman.  The title is: "To see the mayor".  This image was created and printed in 1937 in an edition of 25, far fewer were hand colored by the artist.  This image is pencil signed, the image measures 12 1/8X9 inches.  According to the catalog: "On his weekly radio program, Mayor La Guardia encouraged new Yorkers to bring their complaints to him personally.  Freeman drew a group of constituents making appointments with the mayor's secretary"  This lithograph is framed.

This is an award winning etching by American artist John Taylor Arms, the title is: From the Ponte Vecchio , Florence, created and printed in 1925 in an edition of 150.  This image was printed by Frederick Reynolds, pencil signed and dated by the artist.  The image measures 11 1/8X15 1/4 inches.  The image appears in the Fletcher catalog as image number 159.  Won the award in 1925 by the Print Makers Society of California.  Fine condition with wide margins all around.

Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.