Etching, image size: 9 7/8 x 12 1/2 inches, c. 1930, pencil signed lower right
Etching, image size: 9 7/8 x 12 1/2 inches, c. 1930, pencil signed lower right
Etching, image size 3 3/4 x 6 1/2 inches, Flammarion 135, 1927, part of the Visage des Maison series, pencil signed.
Drypoint etching, image size 14 x 12 7/8 inches, 1939, pencil signed and numbered 22/100
Drypoint from 1885. Catalog: Rice 70. An etching of the covered bridge with the Statehouse in the distance. Plate measures 11 1/2 x 17 1/2 inches on 19 1/2 x 25 1/4 inch handmade Japan paper. Pencil signed in the lower right, plate signed, titled, and dated in the lower left. This print has good plate toning and a rich drypoint burr. C. A. Platt was born in New York and studied art at the National Academy of Design, the Art Students League and the Academie Julian. He was a very successful painter and etcher, known for his delicately rendered New England landscapes and harbor scenes. He was also a very talented architect and a member of the Saint-Gaudens Art Colony in Cornish, NH.
This is a fine original drypoint etching by Scottish artist David Y. Cameron. The title of this etching is: Craigievar Castle, It was created and printed in 1908. The image measures 9 1/2X13 3/4 inches. It is pencil signed lower right border. printed on a medium weight laid type paper. Very richly printed. This image appears in the Rinder catalog as image number 402. The thired state of three. The setting is amoung the scenic rolling foothills of the Grampian Mountains south of Alford, Aberdeenshire, Scotland.
This is an original etching by British artist James McBey. The title is: Laguna Veneta, it was created and printed in 1924. The image measures 7X147/8 inches. Hand signed in sepia ink, Numbered lower left XX. Fine use of plate tone in the sea and sky. Printed on an antique laid type paper. This image appears in the Salaman catalog as image number 73. Last sold by M. Knoedler and Co in New York.
Drypoint from 1932. Signed in ink below the image. Inscription in lower right reads: "Impression selected for my friend Harold Bailey - E. Blampied" 1/100. Plate size measures 8 3/8 x 11 7/8 on 11 1/2 x 17 1/4 inch laid type paper. A richly inked, atmospheric print.
This is an original etching and aquatint by French artist Louis Legrand. This etching is titled: "La Fille a sa tante", the girl with her aunt....This etching was created and printed in 1893 in an edition of 100. It came from his series "Les Petites du Ballet", (the Little ones of Ballet). The image measures 14 1/4X8 3/4 inches. Printed on a medium weight wove type paper, pencil signed lower right border. This image appears in the Arwas catalog as image number 77.
Engraving, image size: 15 x 18 3/4 inches, LeBl 5 and 4, Prov. JW Randall 2490, Picart was apparently a student of Francois de Poilly and is also known as "Le Romain"
This is an original period printing of The Antoni Waterloo etching, Mercury and Argus. This etching is the 2nd state of three showing the artist initials upper left corner, a proof before letters, The image is in the Barsch catalog as image number 127ii. The image measures 11 1/2X9 1/2 inches. The sheet measures 14X11 1/8 inches. Collectors annotations and stamps on the back of the sheet, From the A. Coppenrath and Frierich Kalla, Moscow collection. Good condition some light foxing. Printed on an early laid paper with a Clown and Fools Cap watermark in the sheet. A rare untouched impression, good borders all around.
This is an original Revolutionary war period engraving by Robert Pollard . The subject is: "Lady Harriet Ackland Harrowed on the Hudson" In 1777. This engraving is hand colored and appears to be a period printing done in London in 1784. The image measures 15 1/4X20 5/8 inches. The sheet has been professionally adhered to a support sheet and a few tears in the lower margin have been repaired. The borders on three sides have been trimmed to just outside the platemark. The writing under the image appears to be complete. The Engravers information appears just under the image: London: Robert Pollard, Brayne’s Row Spa Fields, 1784. Overall this is a very presentable engraving just as it now appears. "A scarce engraving celebrating the pluck of Lady Harriet Ackland, shown here in a boat on the Hudson River going to the aid of her injured husband, who was captured by the Americans during the Battle of Saratoga.
This is a fine original lithograph by American artist Don Freeman. The title is: First Night Ovation, created and printed in 1933 in an edition of 25. Both pencil signed and titled in the lower border, this image measures 11 5/8X13 7/8 inches. "In this first night audience, Heywood Broun turns to greet a friend seated behind him, Otto Kahn in top hat is seen at the far right, and above him, critic Percy Hammond rushes to meet a deadline" This image appears in the Freeman catalog as image number 69.
Etching, image size 20 x 9 inches, 1887, remarque lower left, pencil signed lower right, published by Klackner, New York
This is an original drypoint etching by French artist Maurice de Vlaminck (1876-1958) The title of this etching is: Village de Louvillers-les-Perches. It was created and printed in 1926 in an edition of 75. The image measures 8 3/4X12 5/8 inches. This etching is hand signed in pencil by the artist and published by Marcel Guiot, Paris. This town is located in the Loire Valley. This etching is nicely framed with archival materials.
This is an original pencil signed lithograph by American artist Joseph Pennell. He traveled down to Panama in 1912 to record the building of the Canal. He created a series of images from that trip. This image is titled Cranes at Miraflores Lock, Panama, Printed in an edition of only 100. This image measures 22 1/4X16 3/4 inches on a Fabiano watermarked, laid type paper. Sheet size is 25 1/2X 20 1/2 inches.
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