Etching, image size: 11 3/4 x 8 7/8 inches, c. 1926, first state, Cat. Harbor Gallery Exhibition 1985 - 15. pencil signed lower right.
Etching, image size: 11 3/4 x 8 7/8 inches, c. 1926, first state, Cat. Harbor Gallery Exhibition 1985 - 15. pencil signed lower right.
Engraving from the "Les Saintes" series, second state, sheet size: 3 5/8 x 1 15/16 inches
Etching, image size 8 7/8 x 12 3/16 inches, ed. 32/100, pencil signed and titled
This rare artist proof by John Sartain, after Forli, was published by William Young Ottley in Loudon, Sept 1, 1826. It measures 14 x 12 inches and is on medium weight paper. The images for this engraving were part of a paintng in fresco formerly in the Vault of the Church of S.S. Apostoli at Rome; and now preserved in the Palace at Monte-Cavallo. This information is printed on the lower margin with a plate number on the upper margin.
Etching, 13 1/4 x 9 1/2 inches, 1884, plate signed and dated
Lithograph, image size 10 5/8 x 15 1/4 inches, sheet size 15 3/4 x 22 3/4 inches, 1935, pencil signed and titled
Color etching, image size 5 7/8 x 5 3/8 inches, c. 1920, pencil signed. Early in her career, Ryerson worked as a teacher in NYC, and many of her early works drew inspiration from the children she taught.
Etching,15/30,Image size 7 5/8X10",pencil signed and editioned
This is a fine etching by American artist Edward J. Balthazar. The subject is: The Wadsworth Barn in Hartford. Created and printed in 1945. Hand signed in pencil and editioned as 24/100 The image measures 7 7/8X 10 1/4 inches. Printed on a medium weight wove type sheet. This image was the 1949 Presentation print published by the Connecticut Academy of Fine Arts. An early larger image was created a few years earlier.
This is an original engraving by Pierre Lombart after the painting by Flemish Baroque artist Anthony Van Dyck. Image size 13 5/8 x 9 3/8 inches, published in Paris 1660, on an early laid type paper with thread margins, framed.
This Sears Gallagher etching measures 13 x 6 inches and is pencil signed on the lower left margin. A ghostly image of the Boston Custom House Tower looms in the background contrasting with a much more detailed foreground of city dwellers going about their daily routine.
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