Prints

A lithograph by Dexter Dawes with a view of Mt. Monadnock seen though two giant maples measures 12 7/8 x 10 1/2 inches. It is pencil signed in the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

This 1950 etching by the American artist Ernest Roth measures 9 x 12 inches, pencil signed, dated and plate titled. Created as a presentation print for the Society of American Etchers, Gravers, Lithographers and Woodcutters in 1951. Included is a analysis and appreciation of Roth's work by the president of the society, John Taylor Arms.

Etching printed in 1929. Edition of 50. Plate initialed and pencil signed, titled and editioned. Printed on JJ Head & Co handmade laid-type paper. Trial proof. Image measures 10 5/8 x 14 7/8 inches on 13 3/8 x 18 inches.

This is a very fine original etching, image size 7 5/8 x 9 3/4 inches, c. 1930s, pencil signed and titled. Gordon Grant was born in California and sent to Great Britain for his education. He worked as a staff artist for New York World and Harper's Weekly, covering both the Boer War and the Mexican Revolution, but became most widely known for his marine paintings and lithographs. He was a member of many artist's associations, including the National Academy of Design; American Federation of Art; Salmagundi Club; National Arts Club; American Watercolor Society; New York Society of Painters; and the New York Watercolor Club.

C. 1919, printed in 1929. Plate measures 7 3/4 x 6 1/2 inches on 12 x 8 3/4 inch on watermarked laid type paper. Estate stamp signed in the lower right, pencil signed in the lower left by the printer, Frank Nankivell. Edition of 200. Third and final state. Plate destroyed. This soft ground etching with aquatint print is bold in both contrast and its abstract composition.

This lithograph by Dexter Dawes measures 12 x 14 3/4 inches and is pencil signed on the lower right. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Etching, image size 8 7/16 x 21 7/8 inches, pub. 1888 by Fishel, Adler & Schwaltz, New York, plate signed l.l., "Mielatz", pencil signed l.r., "Chas F.W. Mielatz". remarque l.l. of a group of violets.

This original etching by the American artist Gordon Grant measures 7 7/8 x 9 3/4 inches and is signed in pencil, l.r. Gordon Grant was born in California and was sent alone to Great Britain around Cape Horn when he was thirteen years old for his education. He worked as a staff artist for New York World and Harper's Weekly, covering both the Boer War and the Mexican Revolution, but became most widely known for his marine paintings and fine prints. He was a member of many artist's associations, including the National Academy of Design; American Federation of Art; Salmagundi Club; National Arts Club; American Watercolor Society; New York Society of Painters; and the New York Watercolor Club.

This lithograph by Dexter Dawes measures 12 1/8 x 14 7/8 inches and is pencil signed by the artist. This is one in a series of lithographs of the construction of the George Washington Bridge that Dawes created between 1927 and the bridges' completion in 1931. This suspension bridge would eventually connect Ft. Lee, NJ to Manhattan across the Hudson River. Swiss born engineer Othmar Amman made this gigantic structure look "light and airy" with its miles of intertwined steel cable. Considered by some to be the noblest of bridges it became a symbol of the art and craft of the civil engineering profession.

Etching, image size 9 5/8 x 13 1/2 inches, plate signed and dated l.l. "Stephen Parrish 1883".

Pencil signed "H A Webster" in the lower right. C. 1930. Catalog: Webster 105. Plate measures 7 3/4 x 10 7/8 inches on 9 3/4 x 12 7/8 inch watermarked arches laid type paper. Signed artist's proof. Plate destroyed. This print has a rich drypoint burr and dramatic use of light and shadow. Herman Webster was an American artist who moved to Paris in the early 20th century to attend the Academy Julien. There he studied under J. P. Laurens and Eugene Bejot, and was also greatly influenced by the etchings of Whistler and Meryon. He traveled extensively throughout Europe, specializing in finely detailed architectural views, cityscapes and landscapes.

This fine atmospheric etching by Alphone Aufray de Roc 'Bhian was done in 1882 by this French landscape artist. It measures 11 7/8 x 19 inches and is plate signed and dated and pencil signed in the lower right corner. Known for his fine command of atmosphere and mood in his etched lines, Alphone Aufray de Roc 'Bhian exhibited at the Paris Salon from 1864 - 1882.

Wonderful etching by Adolphe Beaufrere depicting everyday life on a river. Measuring 7 1/2 x 10 3/4 inches in an edition of 60, it is pencil signed with a blindstamp of the publisher, Sagot, on the lower right.

Pencil signed etching on laid-type paper c. 1929. 7 1/2 x 13 1/2 inches on 11 x 17 1/4 paper. Malcolm Osborne was known for his prints of landscapes, urban views and portraits. Between 1901-1906 he studied etching and engraving under Sir Frank Short at the Royal College of Art in South Kensington. During 1918 he was elected Associate Engraver of the Royal Academy and succeeded Sir Frank Short as the Head of the etching and engraving school when Short retired, and he was elected a full member of the Royal Academy in 1926.

"Looking West" by Dexter Dawes measures 12 x 14 3/4 inches and is pencil signed by the artist on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.