Prints

This is a fine line engraving by British artist Stanley Anderson.  The title is: The Reading Room.  This image was created and printed in 1931 and appeared in the 1931 edition of Fine Prints of the Year.  This pencil signed impression has an image size of 6 1/2X8 1/2 inches.  Printed on a medium weight laid type paper.

This is an original Arthur Briscoe etching, titiled: "Heavy Canvas", this etching was created and printed in 1931 in an edition of 75.  The image is hand signed in pen and ink and editioned in the lower border.  The image measures 13 1/2X8 3/8 inches.  The subject shows four men making fast the crossjack of a four masted barque.  This etching is archivally framed.

This is a fine large drypoint etching by American Sporting artist Frank Benson.  The title is: Yellowlegs Alighting, created and printed in 1920 in an edition of 100.  The image measures 8 7/8X14 7/8 inches. This image appears in the Ordeman catalog as image number 187.  Printed on Hodamura paper.  Nicely framed with archival boards.

This is an original pencil signed etching by American artist 
Isabel BISHOP  The title is: 

IN FRONT OF THE 42ND STREET LIBRARY

Catalog. Teller 3. Etching, 1927.  The image measures  4 x 3 inches; 100 x 75 mm. Signed in pencil. One of only a very few lifetime impressions, this image  was later printed in 1989 in an edition of 60 unsigned etchings. Isabel Bishop was one of New York City’s leading printmakers from the late 1930’s to the 1960’s. Bishop both studied at, and taught at, the Art Students League in New York and made her home and studio in the heart of the bustling urban scene. The work of Isabel Bishop focuses entirely on the depiction of figures.

This is an original etching and aquatint by French modernist Georges Rouault.  The title is: Incantation from Le Reincarnations du Pere Ubu, This was the frontispiece The first etching from the series  Le Reincarnations du Pere Ubu, created and printed in 1928.  This is a rare hand signed impression.  An edition of 225.  The image measures 11 3/4X7 3/4 inches.  Printed on a medium wight wove type paper.

This is an original soft ground etching and aquatint by Austrian artist Tavik F. Simon.  The scene is: The Kiosks on the Grand Boulevards, in Paris.  This etching was created and printed in 1926 in an edition of 200, published by G. Petit, Paris.  The image appears in the Novak catalog as image number N.123.  The image measures 13 3/4X16 3/4 inches.  This etching is in the early frame with french matting.  Pencil signed lower right and numbered 6 of the edition.

Etching, aquatint and drypoint, image size 7 1/2 x 12 inches, 4th state, "Louis Legrand" pencil and plate signed l.r., Arwas A74.

This is a fine impression of early New York City, created in 1929 by American artist William NcNaulty, the title is The Woolworth Building.  Hand signed in pencil and inscribed as a gift to "Louise and Virgene... De Rochemont 12/33. W.M.N." This etching measures 13 1/4X8 7/8 inches.  A very rich impression done in an ediition of 75.  One of his finest compostions.

This is an original etching and aquatint by French artist Louis Legrand.  This image was created for his series, La Petite Classe, created in 1908.  This pencil signed and editioned etching is titled: Entree de Scene  (stage Entrance)  It has a plate size of 15 3/4X11 1/4 inches.  It has the number 7/100 from the edition of 100, published by G. Pellet, Paris.  A fine impression on Japon ou velin paper.

Etching by Jacques Reich after the painting by Giovanni Boldini, image size 20 5/8 x 11 1/2 inches, 1916, pencil signed. Whistler's signature is etched below the image, Boldini's in the lower left corner of the image.

This is an early scene of New York City from the river by American artist John Taylor Arms.  The title is New York Skyline, and also called The Sketch of New York Skyline.  This image was created and printed in 1921 in an edition of 75.  This pencil signed impression measures 7X5 inches.  It appears in the Fletcher catalog as image number 103.  Printed on a buff toned watermarked laid type paper.

This is a fine original etching by American regionalist artist Jackson Lee Nesbitt.  The title is: Evening in March, pencil signed and titled, created and printed in 1942.  The image measures 11 7/8X8 7/8 inches.  Very fine condition, a rich impression printed on a medium weight wove type sheet.

This is an original pencil signed etching by American artist Peggy Bacon, the title is: Promenade Deck, created and printed in 1920 in an edition of 500, published by The New Republic as a presentation print of their portfolio of 6 etchings.  The image measures 5 7/8X8 1/4 inches.  Flint 47.

This is a very rare etching from a scarce, unpublished plate by Francis Sydney Unwin. The image size is 12 1/8 x 16 inches, 1916, pencil signed; a richly inked impression on a fine cream colored Japan paper. Unwin studied at the Winchester School of Art and the Slade School; he traveled extensively throughout Europe and spent several months in Egypt drawing the tomb interiors for an archaeological expedition. He then settled in London, becoming known for his landscapes and remarkable interior architectural views, such as this finely detailed image of the Albert Hall. Unwin died at the age of 40, after suffering from tuberculosis for much of his adult life.

This is a fine hand signed etching by American Artist Stephen Parrish. The title of this work is "Evening, Gloucester, 1883". The image measures 8 5/8X14 inches. This image appears in the Schneider catalog as image number 77. "To the right of the mast is the tower of the 1869 City Hall, still standing, Next to the right is the sharply pointed spire of the Baptist church, now gone. At the far right are the buildings of the Rocky Neck Marine Railways." Fine use of plate tone in the sky and sea.