Prints

This is a fine drypoint etching by French artist Alphonse Legros, the title is: Le Jardinier (The Gardener).  This image appears in the Bliss catalog as image number 554.  This pencil signed impression measures 6 7/8X10 1/4 inches, printed on a medium weight laid type paper.

This is an original hand signed and titled wood block print by Jamaican artist Albert Huie.  The title is: Market Women, created and printed circa mid -1940's.  The image measures 9 1/2X7 1/4 inches.  

Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.” 

This is a fine intimate portrait of the artist's wife by French artist Albert Besnard (1849-1934)  This image is hand signed and incribed in pencil lower border, the image measures 3 13/16X2 3/8 inches.  "This intimate portrait presents the artist’s wife, Charlotte, in a private moment, eyes closed and head propped on a pillow. Besnard must have admired his wife’s profile. He depicted her from this angle, in both paintings and prints, no less than six time."  This impression was in a show at the Utah Museum of Fine Arts, in a show titled "Images of Women: 19th Century French Prints."

This is an original etching by American artist Joseph Pennell. The title of this work is: "Carriage Approach to Pennsylvania Station, N.Y. This etching was created and printed in 1919, in an edition of only 50.
The image measures 11 3/4X7 inches, hand signed in pencil lower border. The signature has the imp after the artists name meaning that he printed this one himself.

Engraving after Carlo Cignani; JWRandall 9409; #2pub.March 1763 by Boydell London; image size 13 12/ x 19 3/8 inches; paper size 16 x 20 1/2 inches

This is an original lithograph by American artist Stow Wengenroth, the subject is: Lighthouse Beach, Annisquam, Massachusetts, created and printed in 1976 in an edition of 80.  This impression is inscribed artist proof with his name and well as his printer in the lower border, signed in pencil.  "Burr A Miller, printer".  The image measures 8 3/8X13 7/8 inches.  This image appears in the Stuckey catalog as image number 365.

Etching, image size 11 1/8 x 15 7/8 inches, plate signed, inscribed "etched by Mielatz"

Etching, image size 5 1/4 x 8 1/8 inches, 1882, plate signed l.l. "S Parrish" and "68" l.r., pencil signed l.r. "Stephen Parrish". This etching was made by Parrish after his painting, "A Fishing Hamlet, Bay of Fundy--Evening, which was shown at the National Academy of Design in March 1882.

Etching, image size: 12 3/4 x 10 5/16 inches, pencil signed

This is an original pencil signed lithograph by American artist Stow Wengenroth.  The title is: House with the Camperdown Elm, Noank, Connecticut, created and printed in 1946 in an edition of 40.  The image measures 8 1/4X15 1/4 inches.  This image appears in the Stuckey catalog as image number 16

This is a beautiful, intimate portrait of a Depression-era worker by Albert Abramovitz. Linocut, image size 7 x 4 1/2 inches, c. 1930s, pencil signed and titled. Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia. Born in Latvia, Abramovitz studied at the Imperial Art School in Odessa and the Grande Chaumiere in Paris. While in Paris he was a member and juror of the Paris Salon, and won the Grand Prize at the Universal Exposition in Rome and Turin, Italy. In the 1920s Abramovitz emigrated to America, first the west coast then settled in New York City where he lived for the rest of his life. He created a number of prints for the WPA, and his work was included in exhibitions by the Union of American Artists, the American Artist's Congress, the ACA Gallery and the National Academy of Design.

This is an original pencil signed lithograph by American artist Stow Wengenroth.  This image is titled: Woodland, New Hope, Pennsylvania, created and printed in 1950 in an edition of 55.  The image measures 14 1/2X11 7/8 inches.  This print appears in the Stuckey catalog as image number 188.  Printed on a medium weight wove type sheet.

Etching,image size 7 3/4 X 8 inches, 1918, edition of 100, Hardie 152, artist blindstamp, pencil signed.

This is a pencil signed etching by American artist Stephen Parrish.  The title is: On the Rance, Brittany.  It was created and printed in 1887.  The image measures 4 3/4X9 1/4 inches, printed with a warm toned ink.  A small imperfection at the upper edge of the plate.  It appears to have been a flaw in the copper plate.  This River runs through Dinan on its way north to St. Malo in Brittany.  This etching is framed with archival materials.

Engraving after Peter Paul Rubens, image size 13 17/16 x 18 1/8 inches, framed.