Prints

This is a drypoint etching from November 1929. Edition of 100. Catalog: BPL 88. Pencil signed in the lower right, pencil numbered 59 out of 100 in the lower left. Plate measures 13 1/2 x 8 1/4 inches on 16 x 11 inch Rives watermarked wove paper. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Etching, image size 9 7/8 x 7 inches, 1924, edition of 75, cat: Wuerth-847, as "Orange Street, Brooklyn," plate signed in reverse, titled in pencil at the bottom of the sheet, pencil signed.

This is a rare early engraving by Johannes Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. One side of the sheet shows the 'Betrayal of Christ', the other 'Agony in the Garden'.

William Walcot

1874-1943

British

This is a fine drypoint etching by British artist William Walcot 1874-1943.  The title is "The Mersey " it was created and printed in 1922 as part of his series titled "The Arteries of Great Britain.  The platemark  measures 4 3/4X13 inches.    Hand signed in pencil lower border.

This etching with aquatint by the German artist, Johann Gottlieb Theophilus Amadeus Prestel, measures 12 5/8 x 18 1/2 inches, 1784, in two colors on green paper, plate signed and dated, after Parmigianino, artist info on backing, thread margins all around.

William Walcot

1874-1943

British

This is a fine drypoint etching by British artist William Walcot 1874-1943.  The title is "The Thames " it was created and printed in 1922 as part of his series titled "The Arteries of Great Britain.  The platemark  measures 4 3/4X13 inches.    Hand signed in pencil lower border.

This is a fine original line engraving by British artist Robert S. Austin.  The title is "Scythes Resting in a Tree",created and printed in 1928, the image measures 5X3 1/2 inches.  Pencil signed by the artist, numbered 11/75.  Robert Sargent Austin was a highly respected illustrator and engraver, sometimes regarded as the last great English engraver. He taught at the Royal College of Art and was eventually elected president of the Royal Society of Painter-Etchers.

Etching, image size 4 1/2 x 5 7/8 inches, 1870, Harrington 144, Schneiderman 132 v/v, pencil signed

Etching ca. 1919. Printed on laid-type paper, pencil and plate signed in the bottom right corner. This print is very rate: it is the second state out of three, and is one of only two proofs of this state. The etching depicts Glanworth Castle in Cork, Ireland. Image measures 8 x 15 1/4 inches on 11 1/4 x 18 inch paper.

This is an original etching by American Rural artist John E. Costigan.  This image is titled in pencil "Workers of the Soil", created and printed in 1932 in an edition of 100.  The image measures 8 1/4X13 3/4 inches, printed on a wove type sheet, hand signed in pencil.  Very fine condition.  Costigan spent 50 years working as a working farmer.

This is an original etching by British artist Mortimer Menpes.  The title Shaded Entrance was created and printed circa 1920.  The image measures 11 7/8X8 3/8 inches.  hand signed in pencil with the imp after his name, this means he printed this proof himself.  Printed on a medium weight laid type paper with the Menpese watermark.

This is a fine portrait of Beethoven by American artist Isac Friedlander.  Created and printed in 1941, hand signed and titled in pencil.  The image measures 10X9 inches, printed on a medium weight wove type paper.

Drypoint, image size 12 3/4 x 9 5/8 inches, pencil signed

This is a remarkable original etching by Czechoslovakian artist T. F. Simon, depicting the stunning architecture of the Puente Nuevo bridge in Ronda, Spain. The image size is 13 1/4 x 9 1/8 inches, published in 1913 in an edition of 150, cat: Novak-206, numbered in pencil with the artist's stamp lower left, pencil signed lower right. The Puente Nuevo was designed by architect Jose Martin de Aldehuela, and was built over the course of 42 years, from 1751-1793.

Etching,1919, Bpl.61,image size: 5 1/2X7 1/4 inches,Edition 75,pencil signed