Prints

Etching, image size 9 1/4 x 5 1/2 inches, edition of 100, pencil signed.

Etching, 1887, AHB-27, image size 11 3/4 x 9 inches, plate signed

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

etching, 1864, engraving by F. Lienard, published by Sarazin, 4 3/4x6 3/4, plate signed

Etching restrike, image size 7 1/2 x 10 5/8 inches

Lithograph, image size: 14 1/2 x 11 inches, numbered 7/20, blind stamp lower left, pencil signed indistinctly lower right

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

This wood engraving by Barry Moser is one of 25 images from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. These images all portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design and his prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit. Moser states in his description of these images of the "consumate dilemma" between the mining and the owning of gold, the high price politically, physically and spiritually that these men and their families pay for their dreams of a better life.

Etching, image size 8 3/4 x 11 7/8 inches, 1947, published by the Associated American Artists, pencil signed.

This wood engraving by Barry Moser is one of 25 prints from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. The "Gold Rush" series were images portraying gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker, studying under Leonard Baskin and Jack Coughlin.

Etching,image size 5 3/4X10 5/8",plate signed.

Plate measure 5 x 11 inches on 10 3/4 x 16 7/8 inch wove type paper. Pencil signed in the lower right. This print uses minimal lines and plate toning to suggest water and the silhouette of a coastline.

This original etching, after Jules Breton, by Lucien Dautrey measures 9 5/8 x 5 1/8 inches. Created in 1885, this image was Dautrey's first important plate exhibiting it at the Salon of 1885 for which he received an Honorable Mention. Dautrey was a distinguished pupil of Courtry and Felix Bracquemond and a member of the Society of French Artists. Remarque at bottom right of woman putting on coat.

Etching, image size 9 x 4 3/4 inches, image after Jules Breton

after A. Menzel, 1883, etching, 11 3/4x8 1/2, plate signed