Engraving, after Raphael;4th state w/ coat of arms erased - center lower edge - and traces of the erasure.
Engraving, after Raphael;4th state w/ coat of arms erased - center lower edge - and traces of the erasure.
This is an original wood engraving, pencil signed by American artist Thomas Nason. The title is: Midsummer, created and printed in 1942 as a presentation print for the Marblehead Arts Association. The image measures 5X8 inches. Printed on a thin Japan type paper. This image appears in the Nason catalog as image number 330,. Printed in an edition of 300.
This is an original pencil signed wood engraving by American artist Thomas Nason. The title is Upland Pastures, created and printed in an edition of 200 in 1933. This image was commissioned by the Woodcut Society and came in the original folder from that Club. The image measures 3 1/2X7 1/2 inches. This image appears in the Nason catalog as image number 151.
This is an original pencil signed wood engraving by American artist Asa Cheffetz. The title is Deserted Farm, Vermont. Created and printed in 1950, Sold through Associated American Artists in New York. The image measures 5 1/2X8 7/8 inches. Very fine condition.
This is a drypoint etching from April 1931. Edition of 100. Catalog: BPL 105. Pencil signed in the lower right, pencil numbered 3 out of 100 in the lower left. Plate measures 11 x 12 inches on 14 x 15 inch Rives watermarked wove paper. Chamberlain captures this brightly lit scene with breathtaking detail. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.
This is an original etching by French artist Louis Legrand. The title is: Le Bon Bedeau, (The Good Beadle) It was created and printed in 1905 in an edition of 50. The image measures 21 1/4X14 1/4 inches. Pencil signed lower right with the red publishers stamp next to the signature. Editioned as 8/40. Printed on a medium weight wove type paper.
Etching, image size 6 7/8 x 9 7/8 inches, 1928, pencil signed and dated
Etching, image size 8 x 5 3/4 inches, pencil signed l.r. "Warren Davis" on wove paper. Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures. Many were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club.
Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 9 7/8 x 17 5/8, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.
This is a fine wood engraving by American artist Herbert Waters. The title is: Autumn Bouquet, created and printed circa 1960. This image is pencil signed, titled and numbered 56/75 from the second edition. Printed with a brown toned ink Beautiful condition. The image measures 7 1/2X6 5/8 inches.
This is an original color etching by Austrian artist Tavik F. Simon. The title is: Nocturne in Auray, Brittanny. This image was created and printed in 1911 in an edition by G. Petit of 200 signed impressions. The image measures 11 1/4X16 3/8 inches. ..Pencil signed by Simon lower border, printed on a medium weight watermarked laid type paper. This image appears in the Novak catalog as image number 179.
This is an original etching by American artist Joseph Pennell. One of his London image, this is titled: The Marble Arch, created and printed in 1905 in an edition of 50. The image measures 7 1/2X10 1/2 inches. Printed with thin margins on the right side. This image appears in the Wuerth catalog as image number 382.
This is an early impression of the etching, The Golden Cornice no,1 by American artist Joseph Pennell. It was created and printed in 1904 and appears in the Wuerth catalog as inage number 349. The image measures 10 3/4X7 1/4 inches. We have another impression that was created with much more dramatic inking.
Etching, image size 4 1/8 x 10 1/8 inches, plate signed l.r. "S. Haden" and titled l.l. "Out of Study Window H", pencil signed l.r. "Seymore Haden".
Etching from the series "The Life of Saint Monique," image size 6 7/8 x 4 5/8 in, 1930, monogram in plate
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