This is a fine original lithograph by British artist Clara Klinghoffer. This study of a seated nude has an image size of 13 3/4X11 7/8 inches. Printed on a medium weight wove type sheet, hand signed in pencil lower right.
This is an original color etching by Austrian artist Tavik F. Simon. The scene is of a Bric A. Brac shop in Brittany. This etching was created and printed in 1926 and published in an edition of 300 by the Society of Graveurs Modernes in Paris. The iage measures 12X14 1/2 inches. It is pencil signed lower right and has an edition number of 118. This etching is in the period frame with French Matting. This image appears in the Novak catalog as image number N.445.
This is a remarkable original etching by William Lionel Wyllie, image size 9 1/4 x 14 inches, c. 1900, pencil signed, titled on the lower edge of the sheet. Wyllie was a well known marine painter and printmaker in early 20th century London. He studied at the Heatherley School of Fine Art, then at the age of 15 began his studies at the Royal Academy. At the age of 18, Wyllie won the Turner Gold Medal for his painting "Dawn After A Storm". He went on to have a long artistic career, specializing in paintings and etchings of the sea and the city of London. In this etching, Wyllie uses remarkably delicate lines and subtle tones to create an atmospheric image of fishing boats setting out to sea.
This is an original pencil signed and titled woodblock print by American artist Isac Friedlander. The title of this work is "Jeremiah", created and printed circa 1940. The image measures 6 3/4X5 7/8 inches. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
Drypoint on laid Whatman paper, image size 10 1/4 x 10 1/8 inches, 1928, pencil signed and numbered 49/50.
Engraving after Charles Coypel, 2nd state with the correction "modele," image and plate size 16 1/8 x 11 7/16 in, Gray Coll. #1028, Fogg Museum provenance
Pencil signed etching by the Austrian Expressionist Wachelmayr. Image size is 6 x 7 3/8 inches on 9 3/4 x 14 3/4 inches wove-type paper. Circa 1917.
This is an original etching of Baltimore by American artist Gabrielle Clements. It was created and printed in 1924. This etching is signed and dated in the plate lower left and also hand signed in pencil lower right border. This etching has an image size of 10 1/4X12 1/2 inches. Fine use of plate tone in the street and sky. Printed on a medium weight wove type paper. In the foreground is a Battle Monument, created in 1825 and dedicated to the those fighters who fought against the British incursion of 1815...
This is an original etching by American artist Joseph Pennell. The title is "The Latest Tower", it was created and printed in 1923 in an edition of 40. The image measures 12 1/8X9 1/4 inches. This image is hand signed in pencil with the "imp" after the name meaning that the artist printed this proof himself. This etching is printed on an antique laid type paper. This image appears in the Wuerth catalog as image number 815.
Pencil signed and dated etching. Plate measures 10 x 8 1/4 inches on 18 x 11 1/4 inch watermarked laid-type paper. Ed. 100 in pencil in the lower left. Cat: Fletcher 249. C. 1932 French Church series #35.
This is a fine original wood engraving by American artist Leo Meissner. The title is: Days End, it is pencil signed, titled and numbered as 8/40. The image measures 8X10 3/4 inches. Created and printed in 1936. Most likely the coast of Maine.
Drypoint etching. Max Blach Wien collector's stamp on back. Pencil signed "A. Legros" in the lower right. Plate measures 3 7/8 x 6 3/4 inches on 7 x 9 1/4 inch watermarked laid paper. An atmospheric scene with a rich drypoint burr. Catalog: Bliss 364. A rare print.
Engraving after Titian. According to Louis Thies, the painting in the Louvres "is supposed to represent the Duke Alfonso I of Ferrara and Laura Bianti." Image size 13 1/16 x 10 3/4 in, sheet size 16 1/4 x 12 3/8 in. Randall Coll. #12117, Fogg Museum provenance.
This is an original engraving by Paulus Pontius after the painting by Anthony Van Dyck. The image size is 9 5/8 x 6 3/4 inches, c. 1700s, inscribed "Ant. van Dyck pinxit" and "Paul. du pont sculpt" in the lower left margin, with the title and a phrase in Latin below the image, with the original Kennedy Gallery label. Stalbent was a Flemish landscape painter and friend of Anthony Van Dyck when this portrait was painted. This engraving is printed on a very early laid type paper with margins trimmed to approximately 1/4 inch outside of the plate mark, some foxing as is to be expected in a print of this age.
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