This is a rare early drypoint etching by British artist Stanley Anderson. The title is: Perivale, a small town outside of London. This etching was created and printed in 1911. The image measures 5 3/4X9 5/8 inches. Hand signed in pencil lower border and titled lower left border. Printed on a medium weight watermarked with initials, laid type sheet. Fine use of plate tone in the sky area.
This is an original line engraving by French artist Jean A. Joseph Morin-Jean. Created and printed circa 1920, this pencil signed impression has an image size of 9 5/8X7 7/8. The edition is numbered as 8/10. Printed on a medium weight laid type paper.
This is an original wood engraving pencil signed by American artist Thomas Nason. The title is: High Spruces, created and printed in 1942 in an edition of 50. The image printed on a thin Japan type sheet measures 5X10 inches, The inage appears in the BPL catalog as image number 331.
This is a fine drypoint etching by American Sporting artist Roland Clark. The title is: A Currituck Marsh, created and printed in 1920 in an edition of 75 impressions. This etching is hand signed in pencil and has an image size of 9 1/4X12 1/4 inches. Printed on a medium weight wove type sheet.
This is an original hand signed lithograph by American artist Howard Baer. The title is: Hide and Seek, created and printed in 1945. This image part of a series of lithographs that he did of his own childhood memories. The image measures 11X9 inches. Nicely framed with archival boards.
Engraving, image size 5 1/2 x 6 13/16 inches, inscribed in Dutch, framed
This is an early lithograph by American artist Philip Evergood. The title is: City Lights II, created and printed in 1941. This impression is hand signed and numbered in pencil 124/200. The image measures 8 1'2X12 inches. This lithograph is nicely framed and in very good condition.
This is an etching by British artist Robert S. Austin titled: High Bridge pencil signed lower border. This etching measures 4 3/8X5 1/8 inches, printed on medium weight laid type paper. Created and printed in 1928 in an edition of 75. This image was illustrated in the Salaman book, Modern Masters of Etching. Dodgson 77.
Engraving after Philippe de Champagne. Randall 1485. Image size 17 x 12 1/4 in, sheet size 17 7/8 x 13 in.
This is an original etching, a trial proof impression by American artist George Elbert Burr. This image from his Desert Series is titled: Whirlwinds, Mojave Desert, no.1, it was created and printed C.1921, The image measure 5X7 inches and appears as image number 197 in the Burr catalog. Hand signed in pencil lower left border. printed on a medium weight watermarked wove type sheet.
This framed lithograph by Engelmann after Vernet, measures 17 x 10 3/4 inches. It is plate signed and titled on the lower margin. Godefroy Engelmann was born in 1788 in Mühlhausen, France and trained in Switzerland and France at La Rochelle and Bordeaux. He studied painting and sketching in Jean-Baptiste Regnault’s atelier in Paris. In the summer of 1814 he traveled to Munich, Germany to study lithography and is largely credited with bringing lithography to France.
Engraving, provenance Fogg Museum, Gray:3312; after a picture by a pupil of Raphael from Marc-Antoino's engraving with slight changes; circa 1819.Engraved for the Musee Francais
This engraving by James Smillie measures 15 x 22 3/4 inches. Created after four paintings by Hudson River School founder Thomas Cole, this early lettered proof impression, published in Boston by L.A. Elliot, reads, "From the original Painting by Thomas Cole, in the possession of Rev.d Gorham D. Abbott, Spingler Institute, New York", under the title on the lower margin. Also included on the lower margin is a poem by J.H. Daniels. In 1842 Thomas Cole did a series of paintings that represented an allegory for the four stages of life; childhood, youth, manhood, and old age. Each phase accompanied by a guardian angel. In "Old Age" the voyager is looking across the river of life towards an angel filled sky, ready to enter the kingdom of heaven. Cole's paintings were converted to engravings after his death and widely distributed during "The Third Awakening", a period of religious activism from the late 1850's to the early 1900's.
This is an original Sir Frank Short etching titled: A Dutch Greengrocerie, created and printed in 1889. Hand signed in pencil by Short as well as by his printer Goulding. Printed on a thin laid type sheet the image measures 5X7 7/8 inches. Printed with a warm toned ink. This image appears in the Hardie catalog as image number 237.
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