20th Century American Prints

This is a drypoint etching from April 1931. Edition of 100. Catalog: BPL 105. Pencil signed in the lower right, pencil numbered 3 out of 100 in the lower left. Plate measures 11 x 12 inches on 14 x 15 inch Rives watermarked wove paper. Chamberlain captures this brightly lit scene with breathtaking detail. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Etching of Léon, Spain. Trial proof. Pencil signed and dated 1923 in the lower right corner. Print measures 7 1/8 by 11 1/4 inches in a 16 x 19 inch gold frame. #1 in his Spanish Church Series. Catalog: Fletcher 140. Printed by Frederick Reynolds. This plate was done with the assistance of Kerr Eby. This atmospheric print showcases the artist's incredible eye for detail.

A beautiful architectural cityscape by master printmaker, Joseph Pennell. Measuring 8 x 11 inches, it is pencil signed, publishers label included. Created in 1905 in an edition of probably 75, cat: Wuerth #379. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also printed many of his own images.

This is a remarkable architectural etching by American artist Hopper Emory. Image size 14 7/8 x 11 3/4 inches, c. 1930, edition of 250, pencil signed, with the original label. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.

Etching, image size 8 x 5 3/4 inches, pencil signed l.r. "Warren Davis" on wove paper. Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures. Many were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club.

Lithograph, 1946,image size,13 3/4X9",Edition of 250,published by Associated American Artists,Printed by George Miller,pencil signed

This is an original etching and drypoint by American artist Samuel Chamberlain.  The title is: Boston Fish Pier, it was created and printed in 1929 in an edition of 100.  THis pencil signed impression measures 5  5/8X8 5/8 inches.  Printed on an antique laid type paper.  The image appears in the Chamberlain catalog as image number 82.

This is a fine etching and drypoint by American artist Ronau Woiceske.  It is titled Connecticut Farm Scene, created and printed circa 1930.  The image measures 12 7/8X10 3/4 inches.  Hand signed in pencil, printed on a medium weight wove type sheet.  

THis is a fine original lithograph by Chicago artist Helen Noel.  This pencil signed impression showing a group waiting for the subway was created and printed circa 1940's.  The image measures 9X11 inches, some minor spots of rust, unobtrusive.

Drypoint etching, image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.

Lithograph, 11 1/8x8 12/16", pencil signed

Lithograph, image size: 10 7/8 x 13 11/16 inches, pencil signed lower right

Pencil signed in the lower right. An inscription in the lower left of the paper reads "Wine Shop at Royalbourne," a possible title. Plate size measures 10 7/8 x 8 7/8 inches on 16 3/4 x 12 1/4 inch medium-weight wove-type paper.

This is a fine pencil signed impression , an original  wood engraving created by American artist Asa Cheffetz.  This image, Titled: Vermont,  was created in 1941  and sold through  Associated American Artists in New York.  The image measures 6 1/4X10 inches.  It appears in the Springfield catalog as image number 59.

This is a fine original wood engraving by American artist Stefan Hirsch (1899-1964)  The title is Snake, created and printed in 1931, the image measures 4X6 inches, on a sheet size of 9 1/2X11 1/2 inches,  pencil signed and numbered as 5/30.  A rare image, only one example is in the collection of the Whitney Museum.