Prints

This is an original pencil signed and titled wood engraving by British artist Mary Elizabeth Groom.  The title is: The Crucifixion, created  and printed circa . 1929, it is numbered as 4/30.  The image measures 9 1/2X7 1/4 inches.  Printed on a thin japan type sheet.  Groom was a well known artist and illustrator one of  the Suffolk artists.  She was also a founding member of the English Wood Engraving Society starting in 1926.  Mary studied wood engraving at Leon Underwood's Art School, along with Underwood himself and with fellow-students such as Blair Hughes-Stanton, Gertrude Hermes  and Agnes Miller Parker 

This is an oriignal  aquatint etching by British artist Leonard R. Squirrell, this etching was created and printed in 1924 in an edition of 75 signed proofs.  The image measures 11X16 1/4 inches.  Pencil signed by the artist in pencil lower right border.  Fine use of highlight and shadow making a dramatic composition. Printed on a medium weight wove type paper.   A rare image only found in Museums.

This is a rare original etching and drypoint by Scottish artist David Cameron.  The title is: Wingless Chimera, Amiens Cathedral,  it was created and printed in 1911.  Hand signed in pencil, this etching measures an image area of 7 5/8X9 3/8 inches.  Printed on a medium weight laid type sheet.  This image was exhibited at the Royal Academy in 1911.  This image appears in the Rinder catalog as image number 416.

Pub. Lindsay, 1889, 19 3/4 x 29 1/2 inches, pencil signed

This is a very fine original etching by Stephen Parrish, published by Keppel in 1881. The image size is 12 x 19 inches, cat: Schneider-49, plate signed and titled, pencil signed. According to Schneider, this atmospheric image of the Massachusetts shore was one of Parrish's most popular etchings. This print features a very richly inked impression with beautiful plate tone, printed on a medium weight wove type paper with ample margins.

Engraving after Poussin, image size: 19 5/8 x 25 13/16 inches, paper size 21 1/2 x 30 1/8 inches; Prov. JW Randall: 1498; watermark c.l.

Engraving after Giulio Romano; Holy Family "with the Lizard" Prov. Gray: 753; Thies: The picture is in the Gallery of the Pitti palace in Florence. Passavant, Rafael, 11.No.230,Copy a.A repetiton of Raphael's Holy Family "under the Oak Tree" in the Madrid Gallery. Passavant,II.230.
Impression with the engraver's address

Etching and dry point, image size 8 1/2 x 11 1/8 inches, 1906, cat. Schiefler- 55, pencil signed.

This is a fine drypoint etching on copper by American artist Frank Benson.  It is titled: Over Currituck Marshes, created and printed in 1926 in an edition of 150.  The image measures 7X11 7/8 inches.  Hand signed in pencil.  This image appears in the Ordeman catalog as image number 259.  Printed on Whatman Paper.

Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.

Engraving after LeBrun, image size 20 5/8 x 24 7/8 inches, sheet size 21 7/8 x 25 1/2 inches, LeBL. 9. Fogg Museum provenance, JW Randall Collection #4045. Framed.

This is a rare original mezzotint by British artist, Sir Francis Seymour Haden. The title of this work is: "Harlech No II", it was created and printed in 1880. A combination of mezzotint, etching and drypoint, hand signed in pencil lower left border. This image appears in the Schneiderman catalog as image number 197. The image measures 8X11 3/4 inches. This is the V state of V.. This is a rarely seen image by Haden. Richly inked and printed.

This is a fine engraving with drypoint by French artist Philippe Mohlitz.  This image is titled: C'est arrive a la antiquaire, created and printed in 1972.  The image measures 9 1/4X6 3/4 inches.  Hand signed in pencil and numbered 14/60.  A fine impression in nice condition, nicely framed.  Kersten 44.

A soft ground etching by German Expressionist artist Lovis Corinth, this image measures 12 1/2 x 9 3/8 inches, published in 1910 in an edition of 50 impressions, state I/III, cat: Schwarz-41,"LC" monogram in the upper left of the image, a faded signature below the image, framed. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He later returned to Germany and became a member and eventually president of the Berlin "Sezession." Corinth is best known for his prints and paintings of figures and portraits.

Engraving after Rigaud, 1742, image size 18 x 13 inches