This is a large original etching by British artist William Lee-Hankey. The title is: The Drapery Market, circa 1920-30's...The image is in nice condition, hand signed in pencil in the lower border, with the artists blind stamp lower left. Printed on a medium weight laid type sheet with watermark. The image measures 12x13 3/4 inches. (Our photo shows only a partial view of this etching)
A delicately rendered original etching with drypoint, plate size 5 3/8 x 7 3/8 inches, published in 1923, cat: Dickins-78, pencil signed. Walcot was born in Russia, the son of a British father and Russian mother. His family traveled extensively throughout Europe as well as South America, and Walcot was educated in Paris and Russia, graduating with a degree in architecture from the Imperial Academy of the Arts in Moscow. He worked as an architect briefly in Russia before moving to England in 1906. He became well known for his etchings which portray an impressive knowledge of architectural details along with a distinctive impressionistic influence in the atmosphere and immediacy of the images. This scene of York Minster is a great example of this sense of light and atmosphere, the delicate details of the cathedral contrasting with the quickly rendered people in the foreground.
This is an original pencil signed and titled lithograph by American artist Lilly S. Converse. The title is Cotton-Wood Grove, Taos, created and printed circa 1940's numbered as 8/25. The image measures 9 3/4X13 3/4 inches. Printed on a wove type sheet. This came from the collection of Henry Emil Scherer.
Color woodblock print c. 1859. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. Print measures 13 1/2 x 9 inches on 13 7/8 x 9 3/4 inch handmade japan paper. A very detailed print with embossing in the white clouds.
This is an original etching by Scottish artist David Young Cameron. The title is Beauvais, created and printed in 1910. State X/X printed in an edition of 39, hand signed in pencil lower right. Catalog Rinder 412. Printed on a medium weight laid type sheet.
Etching on laid-type paper, printed in brown-toned ink. Pencil signed in the lower right. C. 1925.
Image measures 9 3/4 x 7 inches, sheet size measures 15 x 12 inches.
Drypoint etching, image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.
Etching, image size 8 x 5 3/4 inches, pencil signed l.r. "Warren Davis" on wove paper. Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures. Many were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club.
Lithograph, 1946,image size,13 3/4X9",Edition of 250,published by Associated American Artists,Printed by George Miller,pencil signed
This is a remarkable original etching by Czechoslovakian artist T. F. Simon, depicting the stunning architecture of the Puente Nuevo bridge in Ronda, Spain. The image size is 13 1/4 x 9 1/8 inches, published in 1913 in an edition of 150, cat: Novak-206, numbered in pencil with the artist's stamp lower left, pencil signed lower right. The Puente Nuevo was designed by architect Jose Martin de Aldehuela, and was built over the course of 42 years, from 1751-1793.
This is an original etching by Sporting artist William Schaldach, done circa 1925 the image is titled: The Hot Corner. It is pencil signed and with edition of 75. It has the "imp" after the artists name meaning that he printed this impression himself. The image measures 12X8 7/8 inches. Printed on a medium weight laid type paper.
This lovely image of a young girl by the English printmaker Mortimer Menpes measures 5 3/4 x 3 1/2 inches and is pencil signed with an "imp" after his name indicating he was the printer. Etching and drypoint, dated 1882 in the plate. Menpes attended the School of Art in London in 1878 and started exhibiting at the Royal Academy in 1880. He became a major figure in the etching revival, producing more than seven hundred different etchings and drypoints, which he usually printed himself.
French Old Master Engraving, circa1660, image size 9 13/16 x 9 5/8 inches
plate inscribed: "FVan Campen Formis Venetys" and VLeFebre del et sculpt"
Engraving, after Raphael; also called La Benediction; later state without engraver's address;
Etching,1929,Edition of 100,image size:9 1/2X11 1/4 inches,Bpl 153,pencil signed
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