Prints

Etching, edition of 47/50, image size 9 3/4 x 11 3/4 inches, pencil signed.

Lithograph,10x13,pencil signed

Woodblock, image size 4 x 6 1/2 inches, 1937, initialed in the plate, pencil signed and dated. As is typical with this artist, he hand signed and dated his images on the paper window mat rather than the sheet itself.

Etching, image size 7 1/8 x 10 1/8 inches, 1872

Lithograph, image size: 4 7/8 x 3 7/16 inches, pencil signed lower right

Etching by Bernard Eyre (Walker) measuring 6 7/8 x 10 3/4 inches, pencil signed, plate dated, 1912.

Etching in sepia ink, image size 6 x 10 7/8 inches, 1883, cat: Rice-44, plate signed and dated, l.r.

Etching, 1880, cat. schneider-12, image size: 6 x 10 7/8 inches, plate signed.

Lithograph after Whistler, image size 7 1/2 x 5 1/4 inches

Lithograph, image size 9 3/16 x 13 3/8 inches, 1929, plate signed, framed

Etching, image size 5 x 8 7/8 inches, pencil signed "Peter Grahame" l.r. and titled "Off Looe" l.l.

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin.
$225.00

Etching, image size 8 3/4 x 13 3/4 inches, 1918, plate signed and dated, pencil signed l.r. and l.c. titled in pencil on the back of the sheet.

Etching, image size 5 3/8 x 8 3/8 inches, c. 1920, unsigned, "#1" written on the back of the sheet in pencil.

This wood engraving by Barry Moser is one of 25 from his "Gold Rush" series. Published in 1985 in an edition of 350, it measures 7 x 4 inches and is pencil signed by the artist on the lower margin. This series portrayed gold mining activities from America, Africa and Australia. Moser, from Tennessee, became a graphic artist and printmaker studying under Leonard Baskin and Jack Coughlin. In 1990 he became the "head of studio art" at the Rhode Island School of Design and his prints have been exhibited at the Berkshire Museum, the Los Angeles National Print Show and the Library of Congress National Print Exhibit. Moser states in his description of the images in this series of the "consumate dilemma" between the mining and the owning of gold, the high price politically, physically and spiritually that these men and their families paid for their dreams of a better life.