Prints

Etching, image size 11 1/2 x 18 1/4 inches, 1889, pencil signed, published by Wunderlick, New York.

This is a very fine original hand colored drypoint etching by American artist Dorsey Potter Tyson.  The title is: Dragon Boat Festival, this etching was created and printed in 1929 in an edition of 100, this one is numbered as 42/100.  This pencil signed etching measures an image of 11 7/8X9 7/8 inches.  It is nicely framed in an orientalist frame with french matting.

This is an original pencil signed etching by German expressionist Lovis Corinth.  The title is Salome, created and printed in 1919, this impression is numbered 28/150.  The image measures 7 5/8X9 7/8 inches.  Printed on a medium weight wove type sheet, with a Collectors stamp William P. Moor on the back of the sheet.

This is an artists proof etching by American artist John Taylor Arms.  The title is Limoges, part of his French Church Series created and printed in 1932.  This etching is hand signed in pencil with an image size of 10 1/16X13 5/8.  This image is inscribed lower right: "Beautiful impression, pulled by D.S. and J.T.A."  Inscribed also as artist proof number III.  Printed on a J. Whatman watermarked laid type paper.  A beautiful impression.

This is an original pencil signed etching by British artist Stanley Anderson.  The title is: The National Gallery, created and printed in 1925 in an edition of 109.  This image is pencil signed by the artist.  This impression is the second state an edition of 8, before the print collectors edition which was printed in an edition of 100 for the members.The image measures 8 3/4X11 1/4 inches. Printed on a medium weight wove type sheet.  This image appears in the Meyrick catalog as image number 167.  "One of the earlier group of Stanley Anderson’s scenes depicting the tramps of London, this image casts a somewhat cynical eye upon the established art in our major public galleries. The paintings hang unnoticed as the visitors sit, reading the newspaper or knitting, and the tramps lie asleep".  (Campbell)

This is an original pencil signed lithograph by European artist Maurice deVlaminck.  The subject is Marine, L'Eglise, it was created and printed circa 1925, Published by Galerie des Peintres Graveurs, Paris with the blind stamp lower right. The image measures 8 7/8X12m 1/4 inches.This image appears in the Walterskirchen catalog as image number 182.

This is an original pencil signed etching by American artist Otto Kuhler.  The image is titled: Steamboat  Wharf, created and printed in 1925.  The image measures 8X10 3/4 inches.  "Although best known for his industrial designs, Otto Kuhler (1894-1977) is well regarded as a fine artist and draftsman. Born in Germany, Kuhler was the sole heir to his family's successful steel business, Kuhler Forges. After WWI however, the business and his family's fortune were in ruins. After living briefly in Dusseldorf, and partly due to the advice of friend Joseph Pennell, he took up etching and emigrated to the States in 1923. Otto Kuhler's etchings of begrimed industry sprang from the same optimistic response to technology that led to his colorful streamlined designs for the Milwaukee, Lehigh and other railroads in the 1930's." (Philadelphia Print Shop)

Drypoint etching from 1853. Catalog: Beraldi 111. Plate signed in the upper right, pencil signed in the lower right. Blindstamped in the lower left. Plate measures 8 7/8 x 11 1/2 inches.

This is an original pencil signed lithograph by American artist Joseph Pennell, as part of his Panama Canal Series, this image is titled: Official Ancon-Administration Buildings, created and printed in 1912.  The inmage measures 22X 16 1/2 inches, on a Fabiano watermarked laid type paper which has a sheet size of 25 1/2X20 1/2 inches.

This is an original pencil signed lithograph by American artist Joseph Pennell.  One of a series that he created at the Panama Canal construction in 1912.  The image measures 16 3/4X22 inches.  The title is : Early Morning, Miraflores, Panama.  Printed on a Fabiano watermarked laid type sheet which measures 20 1/2X25 1/2 inches.  

This is an original pencil signed lithograph by American artist Joseph Pennell.  This image is one of his Panama Canal Series that he created in 1912.  The image is titled: The Walls of Miraflores Lock, 1912.  The image measures 18 1/2X24 3/4 inches, on a Fabiano watermarked laid type paper which measures 20 1/2X25 1/2 inches.

This is an original pencil signed lithograph by American artist Joseph Pennell. He traveled down to Panama in 1912 to record the building of the Canal.  He created a series of lithographic images from that trip. This image is titled: The Cut From Culebra.  It was created and printed in 1912 in an edition of 100.  The image measures 22 1/2X17 inches on a sheet size of 25 1/2X20 1/2 inches.  Printed on a Fabiano watermarked laid type paper.

This is an original engraving by French artist Philippe Mohlitz.  This image is titled: The Abyss.  It was created and printed in 1967.  Pencil signed lower right and numbered as 28/50 lower left.  The image measures 8 1/4X7 1/8 inches.  Printed on a heavy weight laid type sheet.  Mohlitz uses the refined technique of Original engraving, in the traditional manner.  Born in Bordeaux in 1941 Mohlitz studied the techniques of engraving at the studio of Rene Delpech in Paris in the mid 1960's.

This is an oriignal  aquatint etching by British artist Leonard R. Squirrell, this etching was created and printed in 1924 in an edition of 75 signed proofs.  The image measures 11X16 1/4 inches.  Pencil signed by the artist in pencil lower right border.  Fine use of highlight and shadow making a dramatic composition. Printed on a medium weight wove type paper.   A rare image only found in Museums.

This is an original pencil signed and titled wood engraving by British artist Mary Elizabeth Groom.  The title is: The Crucifixion, created  and printed circa . 1929, it is numbered as 4/30.  The image measures 9 1/2X7 1/4 inches.  Printed on a thin japan type sheet.  Groom was a well known artist and illustrator one of  the Suffolk artists.  She was also a founding member of the English Wood Engraving Society starting in 1926.  Mary studied wood engraving at Leon Underwood's Art School, along with Underwood himself and with fellow-students such as Blair Hughes-Stanton, Gertrude Hermes  and Agnes Miller Parker