Locked Ward Series, This Trip Has Walls, 1965 , in an edition of 75. Printed on an Arches, wove type sheet. This lithograph measures 20X26 inches. Hand signed lower border in pencil. Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he created the series, "Closed Ward" and later "The Locked Ward". This is image number 85 from The Locked Ward Series.
This is an original lithograph by American artist Michael Mazur. From his Locked Ward series, this image is Portrait, #12. created and printed in 1965 this image measures 26X20 inches, hand signed lower border in pencil. The edition was 75, published by Impressions Workshop. Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he created the series, "Closed Ward" and later "The Locked Ward". This is image number 12 from The Locked Ward Series.
From His Closed Ward Series, Portrait #2 created and printed in 1965. Hand signed in pencil. An edition of 25 this image measures a sheet size of 25 7/8X19 7/8 inches. Printed on an Arches wove type sheet. Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he created the series, "Closed Ward" and later "The Locked Ward". This is image number 8 from The Closed Ward Series.
This is an original etching by French artist Alphonse Legros. It is a portrait of British etcher Sir Charles Holroyd. Created circa 1889. This image has a plate size of 11X7 inches, printed on a medium weight laid type paper. This etching is hand signed in pencil lower right corner of the border.
"Sir Charles Holroyd was one of the most prolific etchers of his generation. He was taught by Alphonse Legros at the Slade School of Art and his work shows the considerable influence of his close friend William Strang. Sir Charles Holroyd was appointed first Keeper of the Tate Gallery and later Director of the National Gallery. These posts ensured that he did not need to depend upon printmaking for his livelihood; consequently, his etchings were not issued in formal editions. Impressions of his etchings were only taken when required and, as a result, many of his printed works are very scarce indeed.
Alphonse Legros was the single most influential European printmaker upon the development of the etching revival in England. Born in Dijon, Legros was persuaded to move to London by Whistler, whom he had met in Paris. Legros rapidly achieved recognition for his highly accomplished etchings and in 1875 was placed in charge of the etching class at the Royal College in South Kensington and the following year was made Professor of Fine Art at the influential Slade School. It was during his eighteen years in this post that Legros was to exert a formidable influence upon the direction of an entire generation of British printmakers." ( thank you, Mr. Campbell)
Closed Ward Series, Her Place, #8, created and printed in 1962 , in an edition of 30. Printed on a Fabriano Murillo wove type sheet. This etching and aquatint, measures 23 3/4X17 ¾ inches. Hand signed lower border in pencil. Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he created the series, "Closed Ward" and later "The Locked Ward". This is image number 8 from The Closed Ward Series.
This is an original pencil signed etching by American artist Harold Kerr Eby. The title is: Lobster Fleet, created and printed in 1937. A fine atmospheric study of a lone fisherman in the foggy morning bay. This image measures 9 1/2X11 1/2 inches. Printed in an edition of 100.
This is a very richly inked original etching, image size 8 5/8 x 11 1/8 inches, 1939, published by the Print Club, Cleveland, Ohio, plate signed and dated, pencil signed. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.
This is an original pencil signed lithograph by American artist Stow Wengenroth. The title is: The Far Shore, Ogunquit, Maine, created and printed in 1957 in an edition of 200. The image measures 8X13 7/16 inches. The image appears in the Stuckey catalog as image number 238.
Etching, image size 10 x 6 inches, 1911, edition of 25, Hardie 77, pencil signed with blindstamp.
A very fine original lithograph by New York artist Harry L Taskey. Image size 11 1/2 x 15 3/4 inches, c. 1935, edition of about 25, published by the New York City WPA Project, pencils signed and titled.
This is a fine original etching by French artist Auguste Brouet (1872-1941) The title is: Un rassemblement en Camargue, it was created and printed in 1925. This image is numbered as 44/75 ..The image measures 8X12 1/4 inches. the Cercle de la Librairie drystamp. in the lower right border. Hand signed and numbered in pencil. Fine condition with elaborate remarque in the lower border. Boutitie 320, IFF 36.1, BPL 13, Universität Osnabrück, EH 4.
This is an original pencil signed etching by American artist Kerr Eby. The title is: Christmas Trees, created and printed in 1940 in an edition of 100. The image measures 9 1/4X12 3/4 inches. nicely framed. This image appears in the Giardina catalog as image number 202. The scene was most likely taken in Connecticut near his home.
Etching, image size 9 3/8 x 12 1/2 inches, 1910, edition of 50, cat: Wuerth-602, pencil signed and titled.
This is a rare etching by American modernist Leonard Baskin. The title is Oedipus at Collonus, created and printed in 1969 in an edition of 100. This impression is hand signed, titled and numbered as 36/100. The platemark measures 23 1/2X17 1/2 inches. It appears as image number 553 in the Baskin Catalog. Very nice condition.
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