This is an original pencil signed etching by American artist Harold Kerr Eby. The title is: Lobster Fleet, created and printed in 1937. A fine atmospheric study of a lone fisherman in the foggy morning bay. This image measures 9 1/2X11 1/2 inches. Printed in an edition of 100.
This is an original etching by American artist Peter Moran. The title is: "Harvest at San Juan Pueblo", this etching was created and printed in 1883. The image measures 6X12 1/4 inches. This image is not pencil signed. A scene of the Pueblo Indians of New Mexico Herding horses.
Printed on a buff toned wove type paper, very good condition.
This is an original etching by American artist Thomas Moran. The title of this work is: "A Tower of Cortes, Mexico", it was created and printed in 1883. The image measures 12X9 3/4 inches. Very rich impression, plate signed only. This etching was printed on a medium weight buff toned wove type paper.
This is an original etching by French artist Auguste Lepere. The title of this work is: "Quartiers de pecheurs", it was created and printed in 1915. This etching is pencil signed and has the edition number of: 38/50. The image measures 7 1/4X7 3/4 inches. Printed on a thin laid type paper.
This is a fine drypoint etching by British artist Sir Henry Rushbury. The subject is the destruction of St. Olave's cathedral on Tooley Street in Bermondsey. This drypoint is hand signed by the artist with pen and ink in the lower border. The image measures 11 3/8X8 1/16 inches. Very richly printed on a medium weight wove type paper. This image created in 1927. "the demolition in process of a historic London dockside church, St Olave's, Bermondsey/ Southwark. This took place because of local depopulation and the church being given 'redundant' status. Demolition took place in two stages and Rushbury has cleverly seized the moment when the nave was all but destroyed (1926) but the tower was still intact. This didn't last long, and it was demolished in turn in 1928. Building materials and debris litter the foreground."
This is a finely detailed line engraving by British artist Robert Sargen Austin. The title is: "The Pack Bridge, Aylestone, Leicestershire". The image measures 4 13/16X4 7/16 inches. It was created and printed in 1926 and appears in the Dodgson catalog as image number 65. It was printed in an edition of 60.
This is a fine color woodcut by German artist Martin Erich Phillipp. This artist known for his color woodblock prints printed in the 1920's in the Arts and Crafts style. This image of Two Red Parrots is hand signed and titled as " Rote Arar I"..The image measures 9 1/8X6 1/2 inches. Very richly colored, it looks like a monoprint. The work of this artist is quite scarce in the USA. Printed on a handmade Japan type sheet.
This is an original pencil signed etching by American artist Joseph Pennell. The title is The Woolworth Building, created and printed in 1915 in an edition of 100. The image measures 11 3/4X7 3/8 inches. THis image appears in the Wuerth catalog as image number 675. This is a fine impression with 1/8 inches borders on two sides. Typical of the printing of Pennell. Framed.
This is a great London etching by American artist Clifford Addams, image size 8 7/8 x 7 1/2 inches, c. 1902, edition of 75, inscribed in the plate, "Loci dulcedo nos attinet" (the sweetness of the place holds us), pencil signed and numbered. Clifford Addams grew up outside Philadelphia and studied art in the U. S. before leaving to further his studies in Europe. He traveled extensively throughout Holland, France, Spain, Italy and Britain, and spent several years in London studying etching with Whistler. He later returned to the U. S. and worked out of studios in both New York and London. He was known for his European city scenes, such as this Whistleresque image of a man gazing out over the busy Thames.
This is an original period engraving by British printmaker, James Sayer. This image is titled: The Patriot Exalted, created and printed in 1792. The patriot exalted' (Charles James Fox; Catherine II, Empress of Russia)
by James Sayers, published by Thomas Cornell
etching and aquatint, published 15 March 1792
15 1/4 in. x 10 7/8 in. (388 mm x 276 mm) plate size; 16 in. x 11 5/8 in. (408 mm x 295 mm) paper size17 1/2X13 1/4 inches.
This is a fine original pencil signed and titled etching and drypoint by American sporting artist Roland Clark. The title is: The Conference, created and printed in 1925. The image measures 8 3/4X11 3/4 inches. Fine use of plate tone in the sky. A rich impression printed on a medium weight wove type sheet. Numbered as 15/62 impressions.
Etching, image size 10 x 6 inches, 1911, edition of 25, Hardie 77, pencil signed with blindstamp.
This is a fine drypoint etching on copper by American artist Frank Benson. The title is Rising Geese, it was created and printed in 1924 in an edition of 150, printed on Whatman Paper. The image measures 6 7/8X8 3/4 inches. This image appears in the Ordeman catalog as image number 238
Printed on laid-type paper. Pencil signed with an "imp" after his name indicating he was the printer. Inscription in the lower left says "Rose." Image is 11 2/8 x 12 3/8 inches on 11 3/4 x 14 1/2 paper. c. 1910.
The Spirit of Rain, 1936
Drypoint The image measures 4 7/8X4 inches.
Flint 131. Signed in pencil lower right: “Peggy Bacon.”; titled in pencil lower left: “The Spirit of Rain.” A fine impression in fine condition, with full margins. Published by Associated American Artists in New York, in 1937; in edition of 250. Painter, portrait painter, caricaturist, illustrator, lithographer, writer, art educator. Peggy Bacon studied with John Sloan and Kenneth Hayes Miller.
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