Prints

A rare original etching by German Impressionist artist Lesser Ury, image size 6 1/2 x 5 3/ 8 inches, c. 1920, edition of 100, pencil signed. There is a repaired tear along the entire top margin, but it does not affect the image and will be easily covered by a window mat.

This is an original pencil signed etching and drypoint by American artist William Bicknell.  This view of the Provincetown Dunes was created and printed in 1927,  The image measures 7X9 3/4 inches, printed on a wove type sheet with a floral watermark.  "Known locally as 'The Etcher' William Bicknell's Provincetown prints have become part of the town's historical record.   Works in the gallery include a view of the first Provincetown Playhouse (at Race Point), portraits of artists at work on the dunes".

This is an original etching by American Rural artist John E. Costigan.  This image is titled in pencil "Workers of the Soil", created and printed in 1932 in an edition of 100.  The image measures 8 1/4X13 3/4 inches, printed on a wove type sheet, hand signed in pencil.  Very fine condition.  Costigan spent 50 years working as a working farmer.

This is an original etching by British artist Mortimer Menpes.  The title Shaded Entrance was created and printed circa 1920.  The image measures 11 7/8X8 3/8 inches.  hand signed in pencil with the imp after his name, this means he printed this proof himself.  Printed on a medium weight laid type paper with the Menpese watermark.

This is a fine portrait of Beethoven by American artist Isac Friedlander.  Created and printed in 1941, hand signed and titled in pencil.  The image measures 10X9 inches, printed on a medium weight wove type paper.

Drypoint, image size 12 3/4 x 9 5/8 inches, pencil signed

Etching ca. 1919. Printed on laid-type paper, pencil and plate signed in the bottom right corner. This print is very rate: it is the second state out of three, and is one of only two proofs of this state. The etching depicts Glanworth Castle in Cork, Ireland. Image measures 8 x 15 1/4 inches on 11 1/4 x 18 inch paper.

This is a fine early impression of the etching by Adolphe Appian titled: Un Jour d'automne a Artemare .  Created and printed in 1871.  This impression was done before the later type setting with titled and publisher printed on the bottom border.  This image appears in the Curtis catalog as image number 32.  The image measures 4 3/4X8 1/4 inches.  Signed upper right within the plate.  A rich impression on a chine applique sheet adhered to a thicker she of wove type paper.  This impression was the first state of four. i/iv.

This is a remarkable original etching by Czechoslovakian artist T. F. Simon, depicting the stunning architecture of the Puente Nuevo bridge in Ronda, Spain. The image size is 13 1/4 x 9 1/8 inches, published in 1913 in an edition of 150, cat: Novak-206, numbered in pencil with the artist's stamp lower left, pencil signed lower right. The Puente Nuevo was designed by architect Jose Martin de Aldehuela, and was built over the course of 42 years, from 1751-1793.

Etching,1919, Bpl.61,image size: 5 1/2X7 1/4 inches,Edition 75,pencil signed

This is an original pencil signed and titled lithograph by American artist Lilly S. Converse.  The title is Cotton-Wood Grove, Taos, created and printed circa 1940's numbered as 8/25.  The image measures 9 3/4X13 3/4 inches.  Printed on a wove type sheet.  This came from the collection of Henry Emil Scherer.

Etching, BPL 114, plate destroyed, Characters from French art culture of 1925; Scene features Heintzleman, left, bending over table, the Parisian model, Kiki who appears in Planche aux Cinq Croquis. To her right, Fredie, subject in Fredie du Cafe "Le Lapin Agile" and of Le Poete, regarded by Heintzleman as the last of the great Montmartre singers. Young man with guitar is Fredie's son.

This is an original pencil signed lithograph from the war series by Joseph Pennell.  This lithograph showing the loading of a ship from the factory docks.  The image measures 20 1/2X15 1/2 inches.  Fine condition printed on a laid watermarked sheet.  From his War Work in America series  of large lithographs.

Etching, image size: 2 7/8 x 5 1/4 inches, 1846, plate signed

Etching, image size 13 5/8 x 9 1/4 inches, plate size 15 x 10 inches, 1884, printed on medium weight laid paper, plate signed "Otto H. Bacher Forest City", "A Wheel Of Three Generations In 1884" on bottom of print. Bacher began etching in Cleveland in 1876 and continued his art in Munich, Paris and Venice.