Prints

Drypoint etching, image size: 12 x 9 1/4 inches, 1926, cat. Smith-128, edition of 80, pencil signed lower right. Heintzelman's skill captures this tender moment between a mother and child. A fine impression with ample margins. Provenance: Baldwin-Wallace College.

Etching, image size 7 x 9 1/4 inches, published in 1926 by Guiot, Paris, signed and editioned in pencil, red collectors seal l.l.

Etching, image size: 10 3/4 x 8 1/2 inches, 1909, cat. Guerin-53, inscribed 1st etat, pencil signed lower right

Etching from June 1931. Edition of 100, with 5 working proofs. Pencil editioned in the lower left, signed in the lower right. Image measures 5 3/4 x 8 1/4 inches in a 12 3/4 x 15 1/2 inch gold frame. An incredibly detailed scene with plate toning and a rich drypoint burr.

This is an original pencil signed lithograph from the war series by Joseph Pennell.  This lithograph showing the loading of a ship from the factory docks.  The image measures 20 1/2X15 1/2 inches.  Fine condition printed on a laid watermarked sheet.  From his War Work in America series  of large lithographs.

William Walcot

1874-1943

British

This is a fine drypoint etching by British artist William Walcot 1874-1943.  The title is "The Thames " it was created and printed in 1922 as part of his series titled "The Arteries of Great Britain.  The platemark  measures 4 3/4X13 inches.    Hand signed in pencil lower border.

Drypoint from 1929. Plate size 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.

French Old Master Engraving, circa1660, image size 9 13/16 x 9 5/8 inches
plate inscribed: "FVan Campen Formis Venetys" and VLeFebre del et sculpt"

This is an original etching and drypoint by American artist Samuel Chamberlain.  The title is: Boston Fish Pier, it was created and printed in 1929 in an edition of 100.  THis pencil signed impression measures 5  5/8X8 5/8 inches.  Printed on an antique laid type paper.  The image appears in the Chamberlain catalog as image number 82.

Color woodblock print C. 1859. A collaboration with Toyokuni II and Hiroshige II. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. An earlier state. Print measures 13 x 8 7/8 inches on 13 3/4 x 10 inch thick laid paper.

Engraving after Rene Guido. First state, with the words "A Paris chez" before the address of N. Poilly. Randall 1670. Image size 14 3/4 x 12 1/8 in, sheet size 16 7/8 x 12 1/2 in.

This is a fine original engraving by French artist Jean Emile Laboureur.  It is titled lower left border, Marine aux L Bateaux, it was created and printed in 1923 and is numbered 33/45.  The image measures 5 1/2X4 1/2 inches.  Hand signed in pencil lower left border, printed on a wove type watermarked paper.

This is an original etching by American artist Joseph Pennell.  One of his London image, this is titled: The Marble Arch, created and printed in 1905 in an edition of 50.  The image measures 7 1/2X10 1/2 inches.  Printed with thin margins on the right side.  This image appears in the Wuerth catalog as image number 382.

Etching, image size 6 3/4 x 8 5/8 inches, 1936, edition of 65 proofs, pencil signed and titled "Lawrence Nelson Wilbur" l.r. and "Peck's Slip-NYC" l.l., publishers blindstamp l.r.

Etching, image size 13 5/8 x 9 1/4 inches, plate size 15 x 10 inches, 1884, printed on medium weight laid paper, plate signed "Otto H. Bacher Forest City", "A Wheel Of Three Generations In 1884" on bottom of print. Bacher began etching in Cleveland in 1876 and continued his art in Munich, Paris and Venice.