This is a beautiful sundrenched scene of the French fishing town of Martigues by British artist and historian Martin Hardie. Etching, image size 9 7/8 x 7 inches, c. 1920, hand signed in ink.
This is a beautiful sundrenched scene of the French fishing town of Martigues by British artist and historian Martin Hardie. Etching, image size 9 7/8 x 7 inches, c. 1920, hand signed in ink.
A quiet image of fishing boats moored in a small harbor by Massachusetts artist Gordon Grant, this lithograph measures 9 x 12 inches, published c. 1940 by the Associated American Artists, pencil signed.
An atmospheric etching by Charles Mielatz of a quiet New England harbor, image size 7 1/2 x 22 3/4 inches, published in 1890 by Fiskel, Adler and Schwartz, New York, signed and dated in the plate, with a starfish remarque in the lower margin.
Lithograph, image size 8 7/8 x 11 3/8 inches, c. 1945, pencil signed.
This is an original drypoint etching by American artist Arthur Heintzelman. The title La Meduse, this drypoint was created and printed in 1929 in an edition of 79. The image measures 11 1/4X9 1/2, hand signed in pencil ...
This is a very large original etching pencil signed Charles Jacques and also signed A Gilborn..? This is most likely an etching done by Jacques after a painting by another french artist , circa 1880. The image measures 25 3/4X20 1/2 inches. A duck remarque lower left. Printed on a wove type sheet. Very good condition.
This is an original etching of the dancer Pavlowa taken from the Carmen Ballet. This etching was created and printed in 1919. It is pencil signed and has the edition as 8/65. The image measures 12X9 5/8 inches. Printed on a heavy weight wove type paper.
This is an original Japanese woodblock print by Omura Koyo, created in 1952 this woodblock is titled: Cat at Play. A fine example of in and embossment, a rich rich inking. The image measures 10 1/2X15 1/4 inches. The image on the lower right side has both the artist's stamped name and also written in pencil. Publishers information on the right border.
This is an original etching by French Artist Jean Louis Forain(1852-1931) The title of this work is "The Folies Bergere II" This etching was created in the 1880's. Signed in the plate upper left corner. The image measures 4 X 5 3/4 inches. This etching is not hand signed in pencil. Excellent condition printed on a medium weight wove type paper, full borders, matted not framed.
This is an original hand signed etching by American artist leslie Cope (1913-2002) The title lower left is Going Home, it was created and printed in 1949. The image measures 8X9 3/4 inches, printed on a medium weight wove type paper. Cope was a member of the Prairie Printmakers Group.
This is an original etching by Barbizon artist Charles Emile Jacque. The title is: Le Chemin de Halage, (The Towing Path) created and printed in 1864. This image is plate signed by the artist Jacque and also signed by the printer Sarazin, printed in Paris. The image measures 6X4 7/8 inches. Printed on a chine colle adhered to a thicker sheet of wove type paper.
"Charles Jacque 'Charles Emile Jacque': During the 1840's a most important movement began in French art. A number of painters began settling in the tiny village of Barbizon and dedicated their art to portrayals of nature and rustic life. Given that the mainstream of traditional French art was still mired in the genres of classical and historical paintings this was indeed a revolutionary step. Barbizon artists gained their inspiration from both the great landscape etchings and paintings of Rembrandt and other Dutch 17th century masters and from the contemporary landscape art of such British artists as Constable and Turner. In its turn, Barbizon etchings and paintings led the way to the beginnings of French Impressionism in the following generation.
Many of the leading artists associated with the Barbizon school were also fine etchers. Within this category one should mention such names as Corot, Millet and Daubigny. Charles Emile Jacque, however, dedicated his career to the art of etching and became the most active Barbizon artist in this field. He is thus considered a major precursor to the French etching revival of the 1860's."
Engraving, plate size 15 1/2 x 11 3/4 inches, 1795, engraving by Benjamin Smith after the self-portrait by William Hogarth, published by J & J Boydell, Cheapside, London.
Engraving after Le Brun, image size 17 3/4 x 15 15/16 in, sheet size 19 3/16 x 16 1/16 in, Fogg Museum provenance, losses to the border area, framed
Engraving, plate size 16 x 13 7/8 inches, after the self-portrait by William Hogarth, printed by James Heath, 1822.
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