Prints

This is an original lithograph by French artist Georges Rouault.  This is a portrait of Gustave Moreau, the teacher and mentor of Rouault.  It is known as the portrait in the little hat.  This pencil signed impression is the 3rd state of 4 with the edition of 25.  It was later published in state 4 with an edition of 350.  This lithograph was created and printed in 1926.  The image measures 9 1/8X6 3/4 inches.  This image is cataloged as F. 57.

This is a very rare original drypoint etching by French artist Jean-Louis Forain, the title is C'est Fini, this drypoint was created and printed circa 1890, there was a later Verticle composition with the same name.  This image measures 9 1/2X12 inches.  Printed on a medium weight laid type sheet,.  Weve been unable to find another example of this scarce drypoint.  Hand signed in pencil lower right.

This is an orignal pencil signed lithograph by French artist Jules Pascin, the title is: Le Lever, created and printed 1925, the image measures 10 1/4X7 7/8 inches. catalog  Hermin 5.  This lithograph is signed lower right, lightly but still visible.  Printed on a medium weight wove type sheet.

Lithograph, image size 18 x 13 inches, edition of 30, 1945, print signed, dated, edition number, and title in pencil. Plate signed "BS" l.r. Fine & Looney 246. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.

This incredible image by the British etcher, Arthur Briscoe, measures 8 1/8 x 15 3/8 inches, inked signed and numbered, 73/75, created in 1931. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.

This is a fine original etching by American artist George Elbert Burr.  The title is Evening, a very atmospheric impression, both pencil signed and titled.  The image measures 12X10 inches.  Printed on a medium weight buff toned laid paper.  Very rich and fine inking on this image.  It appears in the Burr catalog as image number 124.

This is an original pencil signed etching by British artist Augustus John (1878-1961)  This etching is titled: Rambling By the Lake, it was created and printed in  1909 this impression is numbered as 23/50.  The image measures 7X5 inches, printed on an antique watermarked laid type paper.  In the lower border its annotated Plate no. 116 and then titled and editioned.  Very nice condition.

This is an original drypoint etching by British artist William Russell Flint.  The title is Aragonese String Makers, it was created and printed in 1930.  It is editioned as impression number XXVII...  The image measures 9 1/2X14 3/4 inches.  Printed on an early laid type paper, R.G. 1820.  The image is signed in sepia ink lower right border.  A very rich inking with extensive use of plate tone in the sky and land.  A beautiful impression.  This image was reproduced  for  the book "Fine Prints of the Year, 1931, published by Malcolm Salaman

This is an original etching and aquatint by British artist Laura Knight.  The title is: Dressing Room no.2.  This pencil signed etching was created and printed in 1923 in an edition of 55 impressions.  The image measures 7X9 inches,  Printed on a medium weight laid type paper.  A very rich impression.

This is a very highly detailed drypoint etching by American artist Walter Tittle, (1883-1966)  This large image, pencil signed measures 10 1/2X15 1/2 inches. Printed on a medium weight wove type sheet, annotated as "Gift of the Artist" lower right border.  Very fine condition, a very rich impression of this rare image.

This is an incredible rare impression of the well known Panama Canal etching, The Guard Gate, Gatun Lock.  It was created and printed in 1912. Both etching and drypoint, with a rich burr in the shadow areas.   Pencil signed and annotated "imp" meaning that he printed this impression on his own press.  It is printed on a blue toned laid type paper,  Very fine condition, richly printed.  The image measures 12 1/2X9 1/2 inches.  It appears in the Pennell catalog as Wuerth number 627.  The edition is about 60 impressions.

This is a very rare original etching by French artist Charles Emile Jacque.  The title of this work is: "The Large Sheepfold (La Grande Bergerie)"  It was created and printed in 1859 with an image that measures 15 1/4X20 7/8 inches.  One of his largest etchings.  This is the second of two states with the edition of 129.  This image is made up of etching and drypoint and according to the catalog there is also some burin work in the image.  Printed on a wove type paper, this etching was originally sold by Kennedy gallery in New York.  There was a partial label on the back.  This etching is pencil signed lower right, "Ch Jacque".....

This is a gorgeous original lithograph of ancient Greek ruins by Joseph Pennell, from his series "In the Land of Temples", based on his travels through Greece and Italy. The image size is 16 1/2 x 21 3/4 inches, published in 1913 in a very small edition of 50, printed on a watermarked wove type paper, pencil signed. In his book "In the Land of Temples", Pennell writes of this print "Swept away is everything, mysteries and all— all that remains is the great pavement on which stand the stumps of columns; yet I doubt if it was finer ever. And the long drive out over the sacred way, the long, quiet day; and the long drive back, with the Acropolis growing more and more majestic in the twilight, were perfect."

Engraving 1805, after Raphael; Prov. Gray Coll.908; image size 18 1/4 x 12 15/16 inches; plate size 22 x 15 1/2 ; paper size 28 3/8/ x 20 3/16 inches

Drypoint etching, image size 7 7/8 x 4 7/8 inches, edition of 100, 1919, Hardie 168, printed on wove paper, pencil signed with artist's blindstamp. This image is considered one of the artist's finest works.
Housed in a fine arts and crafts style gilt frame.