Featured Artwork

This is an original drypoint etching by British artist Edmund Blampied.  The title is Road to  the Farm.  It was created and printed in an edition of 100 in 1929.  The image measures 10 1/4X8 1/8 inches.  Hand  signed by the artist in pen and ink lower border.  Numbered as 98/100.  This image was reproduced for the book Fine Prints of the Year, 1929 edition… Catalog: Appleby 149.  A fine atmospheric impression, nicely framed with archival materials.

This is a fine original lithograph by American artist Stow Wengenroth.  It is titled: Little One, Rockport, Massachusetts, created and printed in 1975 in an edition of 100.  The plate measures 9 5/16X13 9/16 inches.  Hand signed and editioned in pencil lower border.  This image appears in the Stuckey catalog as image number 359.  Finely detailed, one of his series of Owls that Wengenroth created through out his life time.

This is an original etching and aquatint by French artist Georges Rouault. From his Miserere series.  Plate 30: "Nous . . . c'est en sa mort que nous avons été baptisés" / ["Know ye not, that] so many of us [as were batised into Jesus Christ] were baptised into his death?" [John 13: 34] (C & R 83e). Original aquatint, drypoint, burnisher, and roulette. 450 impressions signed bottom left (the date of this print is not visible and there are no pencil-signed proofs) for the Miserere, one of the greatest print cycles of all time. Here we are shown St John the Baptist baptising Jesus while the Holy Spirit in the form of a dove hovers above, confirming the words of St John in plate 28. Image size: 21 1/2X 16 1/2 inches.

This is an original etching and aquatint by French artist Georges Rouault, take from his Miserere Series.   Plate 56: En ces temps noirs de jactance et d'incroyance, Notre Dame de la Fin des Terres Vigilante / In these dark times of vainglory and unbelief, Our Lady of the Ends of the Earth keeps watch (C&R. 109c). Original aquatint, drypoint, burnisher, roulette, scraper, 1927. 450 impressions for the Miserere, Rouault's masterpiece and one of the most important series of the twentieth century. Signed in the plate and dated 1927 at lower center left (there are no pencil-signed proofs). A beautiful impression of this climactic image. Image size: 23X17 inches.

This is a fine highly detailed etching by British artist Stanley Badmin, created and printed in 1929 this image is titled: The Old Ash.  The image measures 5 1/2X4 inches, pencil signed and numbered: 4/40.  Printed on a Buff toned wove type sheet.  "Badmin's interest in  the stark shapes of leafless trees silhouetted against the skyline  is a subject that he frequently pursued.This image shows an old Ash tree near Balcombe, in Sussex.  This image appears in the Beetles catalog as number 12.

This is a fine color aquatint etching by French artist Manuel Robbe.  This image is titled: Les Liseuses, created and printed in  1907 in an edition of 100.  Merrill Chase catalog number 54.  The image measures 19X14 1/2 inches, printed on an Arches watermarked laid type sheet.  A beautiful impressionist interior view of two women reading.  Very fine condition.

This is a fine detailed etching by American artist John Taylor Arms.  This image from his Spanish Church series is titled: La Colegiata, Toro, it was created and printed in 1935 in an edition of 153 impressions.  This pencil signed image measures 9 3/4X12 3/4 inches.  It is inscribed, gifted to: Mr. and Mrs Andrew Daglish (The British artist and Friend of Arms)  Printed on an antique laid type paper.  This impression was printed by David Strang, one of Arm's most trusted printers of his editions.

This is a pencil signed lithograph by American artist Joseph Pennell, as part of his Panama Canal series that he created in 1912.  This image is titled:  A Native Village.  The image measures 16 1/2X22 1/8 inches, on a sheet of Fabiano laid type paper which measures 20 1/2X 25 1/2 inches.

This is an original pencil signed lithograph by American artist Joseph Pennell.  As part of his Panama Canal Series, this image is titled: Colon.  Created and printed in 1912.  The image measures 22X16 inches on a Fabiano Laid type paper which measures 25 1/2X20 1/2 inches.

This is an original pencil signed lithograph by American artist Joseph Pennell.  This image is part of his Panama Canal series created and printed in 1912.  The title is: "The Jungle",  The image measures 17X22 inches, printed on a Fabiano laid type sheet which measures 20 1/2X25 1/2 inches.

This is a fine woodcut print by Jamaican artist Albert Huie.  This image is hand signed in pencil and titled: Seaside.  The image measures 9X6 1/2 inches.  Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.” 

This is a large pencil signed color etching by Austrian artist T.F. Simon.  The title is: Charles Bridge in Winter, Prague, created and printed in 1916 in an edition of 100.  A large work by Simon measuring an image of 15 3/4X20 5/8 inches.  A finely detailed work.  Printed on a medium weight wove type sheet.  Novak 255

This is an original pencil signed etching by American artist Frank Benson.  This etching is titled:Swinging In, created and printed in 1927 in an edition of 150.  The image measures 7 3/4X11 3/4 inches.  Printed on Whatman paper.  This etching is in the Ordeman catalog as image number 272.

This is a scarce original pencil signed mezzotint by American artist James D. Smillie.  The title is Double Hollyhocks, it was created and printed in 1889.  The image measures 8 5/8X5 5/8 inches.  Printed on a chine collet adhered to a thicker wove type sheet.  A beautiful impression of this very rare mezzotint by Smillie.

This is a fine original lithograph by American artist Stow Wengenroth.  The title is: Woodland Ledge, Corea Maine, created and printed in  1960 in an edition under 50.  The image measures 8 5/16X12 inches.  Very fine condition.  This image appears in the Stuckey catalog as image number 261.  Hand signed in pencil lower right border.