Prints

Etching, 1925, edition 100, image size: 4 1/8 x 5 5/8 inches, pencil signed

Drypoint etching, image size: 11 1/8 x 7 3/4 inches, ed. 80, 1935 cat. Smith-204, pencil signed lower right

This is a drypoint etching from 1911. The plate measures 7 x 5 1/8 inches in a gold 20 1/4 x 16 1/2 inch frame. Plate signed in the lower right. Pencil numbered in the lower right 16 in an edition of 44. "Artist's proof" in pencil in the lower left. Catalog: A 417, Lugt 1193. Red stamp of the publisher, Gustave Pellet, in the lower right. A fine impression with a rich drypoint burr.

This is a fine drypoint etching by American artist Frank Benson.  This image titled Geese was created and printed in 1917,  It is from the third state of 3 printed in an edition of 29 signed and numbered proofs.  This one is numbered 27,  Printed on a thin Shogun paper, the image measures 10X15 1/8 inches, a very rich impression.  The image appears in the Ordeman catalog as image number 124.  There are some repaired tears in the border areas, not into the image.

This is an original etching and drypoint by American artist Louis Rosenberg.  It is titled "Temple of Minerva", it was created and printed in 1927.pencil signed lower right border.  The image measures 8 3/4X13 1/4 inches.  Fine use of plate tone in thee sky.  A beautiful rich impression.

This original etching by Paul Paeschke measures 6 1/4 x 8 3/4 inches and is pencil signed. Paeschke studied at the Academy of Fine Arts in Berlin under Karl Kopping. He traveled extensively through Germany and other European countries. He mainly depicted the busy inner-city streets of Berlin and other cities and so he became an important chronicler of public life during the early 20th century. Paeschke created numerous masterly etchings, which can equally be placed next to the graphic works of Max Liebermann, Max Slevogt or Lesser Ury.

Etching, dry point, image size 6 13/16 x 5 15/16 inches, ca. 1936, edition of 25 for the NYC WPA, signed and titled in pencil, stamped in l.l. Federal Art Project NYC WPA.

A richly toned etching by George Hand Wright measuring 8 7/8 x 11 7/8 inches, pencil signed and titled. George Wright studied at the Academy of Fine Arts in Philadelphia, Paris and Munich before settling in New York where he was an illustrator for Harper's and The Saturday Evening Post. He exhibited at the Art Students League and was a member of the Salmagundi Club and the Society of American Etchers.

Engraving, after painting by Titian, image size 8 1/2 x 5 7/8 inches

Engraving after Merelle. Randall 13952. Image size 16 1/4 x 12 5/8 in, sheet 16 5/8 x 12 3/4 in.

This is an original etching by California artist John Winkler.  The title is: Delicatessen Booth, San Francisco, created circa 1920 this etching is hand signed in pencil lower left border.  The image measures 11X6 1/2 inches.  " Winkler studied at the California Institute of Arts and published his first original etching in 1915. During the following eight years he established a large national reputation for his etchings, the great majority being depictions of San Francisco and its environs...Like Whistler, Winkler had the ability to capture life and movement with the utmost simplicity." T.O.P.

This engraving and aquatint by Jean Emile Laboureur measures 5 x 5 7/8 inches and is pencil signed and numbered. Created in 1925, L-292.

Etching, image size 18 x 29 1/4 inches, c. 1880, remarque l.l, pencil signed.

Fac Simile of A apital Initial of the Presentation in the Temple, Draw and Engraved by George Lewis, 1817, Published in London by G.R. Lewis.  "Drawn and Engraved by G,,R Lewis, / from the / Missal executed by Francesco Veronesi & Giralomo dei Libri, [...]', 'Published Decr 1817 by G. R. Lewis 29 Duke Street, St,, James's' and 'See Dibdin's Bibliographical Decameron Vol I Page CXLII'.  Etching and Stipple engraving on chine colle.  The image measures 5 3/4X5 1/4 inches on a sheet of laid type paper which measures 13 7/8X10 3/8 inches.  One copy of this impression is found in the British Museum.

This is an original hand colored etching by American artist Troy Kinney.  The title is: Viva Andalucia.  It was created and printed in 1919.  The edition was 190 of which 40 were printed in color.  The image measures 5 5/8X4 1/2 inches.  Hand signed in pencil and has an edition number of 11/100.  Printed on a heavy weight wove type paper.  This image is listed in the Kinney catalog as image number26.  This image  was from a dance of Tortola Valencia.