Prints

Drypoint, image size 9 1/8 x 6 3/4, 1939, edition of 300, cat. BPL-273, pencil signed.

Charles Adams Platt
This is a scarce etching by American artist Charles Adams Platt.  It is titled: The Harbor of Naples,  it was created and printed in 1887.  The image measures 5X7 5/8 inches.  Pencil signed lower right border, printed with a sepia toned ink printed on a laid type sheet.
 

Etching, image size 9 5/8 x 7 3/4 inches, edition of 90, Bpl 147, pencil signed. The gallery has two impressions of this etching.

Etching, image size 10 1/2 x 7 3/4, third plate - first state, circa 1900, pencil signed

This is an original etching and drypoint by British artist Francis Dodd.  The title is: Cathedral of St. Bavo, Haarlem.  This etching was created and printed circa 1920, hand signed in pencil lower right, a rich impression which measures 9X10 3/8 inches.  Printed on a medium weight wove type paper, some creases on the bottom border, not into the image area.

This is a fine original etching by French Barbizon artist Adolphe Appian.  The title is: Au Valromey.  This etching was created and printed in 1868, this is a very rare impression done on a thin laid type paper before the addition of the type setting below the image as it was published later by Cadart . published in Paris by Cadart & Luce (fl.1867–1870/1) as plate 6 to the art periodical in its first year, “L'Illustration nouvelle par une société de peintres-graveurs à l'eau-forte”, vol. 1, 1868. The image measures 4 1/8X7 5/8 inches.  Signed in the plate upper right corner of the image.

Etching, image size 8 3/8 x 9 7/8 inches, 1925, hand signed in ink.

Drypoint etching, image size 4 1/2 x 6 3/4 inches, 1913, ed. of 35, pencil signed. From "10 Radierte Tierstudien von Max Slevogt."

Lithograph, image size: 7 1/2 x 5 3/4 inches, from "Les Hommes Abandonnes," framed

Engraving after Gilles Allou, 1749, image size 13 5/8 x 9 3/8 in, sheet 19 1/8 x 15 1/8 in, Randall 3665, Fogg Museum provenance

lithograph, image size:8 1/2X11 7/16in,pencil signed

Engraving after Le Gros, 1730, image size 13 3/4 x 9 7/16 in, sheet 15 1/4 x 10 3/4 in, Randall 3730, Fogg Museum provenance

This very fine original etching by Ernest Haskell features a richly inked impression and exquisitely delicate lines. The image is size 9 7/8 x 7 7/8 inches, it was published in 1912, and is pencil signed, titled in lower margin. Thin borders on three sides. This etching was number 125 in the 1916 exhibition of Haskell's work at Art Institute of Chicago. Ernest Haskell was born in Connecticut and in the early 20th century spent time in both New York and Paris. While in Europe he met Whistler and was inspired to take up etching; his style was greatly influenced by the work of Whistler as well as that of Rembrandt, Da Vinci and Durer.

A very fine original etching, this image measures 6 x 8 3/4 inches, 1877, cat: Schneiderman-153, pencil signed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894.

A drypoint etching from 1920. Catalog: B-223. Pencil signed in the lower right. Plate 7 3/4 x 12 3/4 inches on 11 1/2 x 16 inch watermarked laid paper. A richly inked impression with a rich drypoint burr. Soper was a master at showing Horses at work in the old British farm lands.