Prints

Etching on chine colle, image size 16 3/4 x 12 inches, published by Klackner, pencil signed.

Engraving, image size 14 1/4 x 12 3/4 inches, c. late 1940s, pencil signed. A portrait of poet Daniel Sargent's daughter.

This is a very fine impression of the etching titled: Boston Stump, created and printed by American artist Harold Kerr Eby in 1925.  The subject is the tower of St. Botolph's Church in Boston, England.   This etching printed in an edition of 90 has an image size of 14 1/8X9 3/8 inches.  It is pencil signed lower right and has the 'imp" after his name meaning that he printed this impression himself.  This etching is in a fine Frame using archival materials.

Transfer lithograph, 11 1/2 x 18 inches, ed. 25, 1924, only state, printed by George C. Miller, alternatively titled "Spring Dance," cat. Czestochowski-211, pencil signed lower right

Etching and drypoint on copper, image size: 5 1/2 x 8 5/16 inches, dated 1877, State V, cat. Scheniderman-172, pencil signed lower right. One of Haden's interests apart from being a Surgeon and printmaker was fishing. He created a number of outstanding scenes based on river fishing, his most famous being "The Complete Angler" and "Grayling Fishing." This is a wonderful example of building a composition centered on this well-known fishing hole. Provenance: Baldwin-Wallace College.

Etching, image size 10 5/8 x 12 3/8 inches, 1926 (Cahill, 43). Signed "Pop Hart" (and with monogram) in pencil l.r. Etching and aquatint on paper

Engraving after Peter Paul Rubens, image size 13 17/16 x 18 1/8 inches, framed.

Etching, image size: 8 3/4 x 11 3/4 inches, 1884, second state, cat. Schneider-104, pencil signed lower right.

This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along with his brother in law James Whistler. In addition to being a highly regarded artist he was a successful surgeon, accomplished author and dedicated angler. He was a founder and the first president of the Royal Society of Painter-Etchers and Engravers, and was knighted in 1894. Haden created a number of remarkable etchings featuring scenes of fishing in the British countryside, of which this is one of his finest.

A richly inked drypoint etching from 1926. Catalog reference: Gaunt 325. Edition of 53. Pencil signed in the lower right. Plate measures 11 3/4 x 16 3/4 inches on 18 1/4 x 23 1/2 inch wove type paper. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.

Engraving; circa 1740; after the painting by Georgion de Castel-franco, provenance: Gray Collection, Fogg Museum (on verso #123); image size 12 7/16 x 24 7/8 inches

Lithograph with lithotint on zinc by the American artist, Arthur Bowen Davies, measures 12 5/8 x 19 inches, signed in the image, l.r., edition of 25 or less, printed by George C. Miller, i/ii, 1921, cat: Czestochowski-192. Davies was known for his unique decorative style, often visualized in a fantasy world of female figures. One of the most respected and successful American artists, he was a member of the "Eight" and was the principal organizer of the 1913 Armory Show.

Plate signed in the lower left, ink signed in the lower right. Plate size measures 9 3/4 x 11 3/4 inches on 11 1/2 x 13 1/4 inch laid type paper. The scene depicted is a street in Gloucester. Good use of plate tone and a rich drypoint burr. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.

Engraving; provenance Fogg Museum, Gray3315; Engraved in 1813 after a repetition attributed to Giulio Romano. Legend of this repetition inscribed "Dedie au Chevalier Regnault Membre de L'Institut d'Honeur. There are twenty repetitions and copies known

Etching with drypoint, image size 4 1/8 x 12 3/4 inches, 1922, pencil signed.