Prints

Drypoint etching from 1912. Plate measures 7 3/4 x 15 3/4 inches on 9 x 17 inch paper. Pencil signed and dated in the lower right with the word "imp," indicating that the artist printed it themselves. Plate signed in the lower left. 3rd State. An atmospheric print with good use of plate toning.

Etching, image size 9 7/8 x 6 7/8 inches, c. 1930, pencil signed, titled on the lower margin. Hopper Emory was born in Baltimore, Maryland and had a successful career in banking before he turned exclusively to his artwork. He traveled to England where he studied at the Heatherly School of Art in London, then returned to Maryland where he became known for his delicately rendered architectural and maritime etchings.

Etching, image size: 9 3/16 x 7 1/4 inches, pencil signed lower right

Engraving after a painting by Thomas Blinks. Image size 6 x 8 7/8 inches, plate signed " T Blinks 90" l.r, Printseller's Association blindstamp l.l. This image is also pencil signed, but we have been unable to decipher the name.

Etching, image size 12 1/2 x 10 inches, pencil signed, copyright 1888 by Klackner, NY.

AAA, 13X9",pencil signed

Pencil signed in the lower right and titled in the lower left. Ca. 1950. Plate measures 4 7/8 x 7 3/8 inches on 9 x 12 1/2 inch wove type paper. This print has good plate toning, lovely crosshatched shading, and a composition that draws the eye to what the figures are looking at.

Lithograph, image size 14 5/8 x 9 inches, 1924, edition of 100, cat: BPL- 220, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.

Lithograph, image size 15 3/4 x 10 inches, 1924, edition of 100, cat: BPL- 224, from the series "Vingt Lithographies du Vieux Paris," initialed and editioned in pencil.

Etching, image size 8 7/8 x 12 3/4 inches,pencil signed

AAA,10X12 1/8,pencil signed

Woodcut, image size 8 x 5 1/2 inches, edition of 80, unsigned.

etching, image size: 7 1/2x9 1/2, pencil signed

Etching, image size 9 10/16 x 13 3/8 inches, pencil signed lower right

Etching tipped in to the book "Modern American Etchers: Arthur William Heintzelman," foreword and critical notes by John Taylor Arms, 1927, print in great condition, book has some foxing, pencil signed.
Original etching sold as part of the book.