Featured Prints

This is an original etching by American artist Peter Moran.  The title is: "Harvest at San Juan Pueblo", this etching was created and printed in 1883.  The image measures 6X12 1/4 inches.  This image is not pencil signed.  A scene of the Pueblo Indians of New Mexico Herding horses.

Printed on a buff toned wove type paper, very good condition.

This is a highly detailed original triptych by Japanese artist Toyohara Kunichika.  This image of a group of Courtesans, created as a three panel color woodblock, dated 1865.  The image measures 14 1/4X28 34 inches, site size, this woodblock is framed.  Nice condition rich colors.

This is an original Triptych color wood block print by Japanese artist Utagawa Kunisada.  This one image from his Nishiki-e series created and printed in 1860.  Each panel has the artists signature along with numerous stamps and seals.  The overall image measures 14 1/4X29 1/4 inches.  Nicely framed.

This is an original pencil signed etching by American artist Joseph Pennell.  The title is The Woolworth Building, created and printed in 1915 in an edition of 100.  The image measures 11 3/4X7 3/8 inches.  THis image appears in the Wuerth catalog as image number 675.  This is a fine impression with 1/8 inches borders on two sides.  Typical of the printing of Pennell.  Framed.

This is an original pencil signed etching by American artist Joseph Pennell.  The title is: The Lake Front, Chicago, created and printed in  1910.  This image measures 9 3/8X12 1/2 inches.  As was the style of Whistler Pennell cut off the borders of this etching and has a tab signature in pencil.  Nicely framed, fine condition, a combination of etching, aquatint and plate tone.  This image appears in the Kennedy catalog as image number 596.  The edition was only 50 impressions.

Closed Ward Series, Levels, 1962 , in an edition of 30.  Printed on an Fabriano Murillo, wove type sheet. This  etching and aquatint   measures 23 3/4X17 3/4 inches.  Hand signed lower border in pencil.  Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he  created the series, "Closed Ward"  and later "The Locked Ward".  This is image number 10 from The Closed  Ward Series. Image number 5.

Locked Ward Series, Bound Hands swing, 1965 , in an edition of 75. Printed on an Arches, wove type sheet. This  lithograph  measures 20X26 inches.  Hand signed lower border in pencil.  Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he  created the series, "Closed Ward"  and later "The Locked Ward".  This is image number 10 from The Locked Ward Series.

Locked Ward Series, The Bench, 1965 , in an edition of 75.  Printed on an Arches, wove type sheet.  This  lithograph  measures 20X26 inches.  Hand signed lower border in pencil.  Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he  created the series, "Closed Ward"  and later "The Locked Ward".  This is image number 6 from The Locked Ward Series.

Locked Ward Series, This Trip Has Walls, 1965 , in an edition of 75. Printed on an Arches, wove type sheet. This  lithograph  measures 20X26 inches.  Hand signed lower border in pencil.  Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he  created the series, "Closed Ward"  and later "The Locked Ward".  This is image number 85 from The Locked Ward Series.

This is an original lithograph by American artist Michael Mazur.  From his Locked Ward series, this image is Portrait, #12.  created and printed in 1965 this image measures 26X20 inches, hand signed lower border in pencil.  The edition was 75, published by Impressions Workshop.  Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he  created the series, "Closed Ward"  and later "The Locked Ward".  This is image number 12  from The Locked Ward Series.

This is an original etching by French artist Alphonse Legros.  It is a portrait of British etcher Sir Charles Holroyd.  Created circa 1889.  This image has a plate size of 11X7 inches, printed on a medium weight laid type paper.  This etching is hand signed in pencil lower right corner of the border.  

"Sir Charles Holroyd was one of the most prolific etchers of his generation. He was taught by Alphonse Legros at the Slade School of Art and his work shows the considerable influence of his close friend William Strang. Sir Charles Holroyd was appointed first Keeper of the Tate Gallery and later Director of the National Gallery. These posts ensured that he did not need to depend upon printmaking for his livelihood; consequently, his etchings were not issued in formal editions. Impressions of his etchings were only taken when required and, as a result, many of his printed works are very scarce indeed.

Alphonse Legros was the single most influential European printmaker upon the development of the etching revival in England. Born in Dijon, Legros was persuaded to move to London by Whistler, whom he had met in Paris. Legros rapidly achieved recognition for his highly accomplished etchings and in 1875 was placed in charge of the etching class at the Royal College in South Kensington and the following year was made Professor of Fine Art at the influential Slade School. It was during his eighteen years in this post that Legros was to exert a formidable influence upon the direction of an entire generation of British printmakers." (  thank you, Mr. Campbell)

 

This is an original etching by British artist Sir Francis Seymour Haden.  The title is: The Inn, Purfleet,  It was original composed and created in 1869.  This etching was done in 11 states, this was the published version and designated as X/XI before the plate was cut down.  This etching is pencil signed, the image measures 7X10 inches, printed on a medium weight laid type paper.  The image appears in the Schneiderman catalog as image number 127.  The scene was taken "from the left bank of the tidal waters of the lower Thames, some twelve miles east of London."

This is a fine block print by Kansas artist Clara Colline (1881-1945)  The title written in pencil lower left is: Wind in the Cottonwoods.  THis image done circa 1920 is hand signed in pencil and has an image size of: 9X11 3/4 inches.  Colline was a student of Birger Sandzen.  His influence is clearly seen here.

This is a drypoint etching by French artist Louis Legrand.  The title is : English Bar, from his Album Les Bars, published by Pellet in Paris in 1909.  This impression is from the first state of three with the Remarque of a Woman in Profile.  The image measures 9 3/4X5 5/8 inches.  Hand signed in pencil, printed on a Japon type paper.  Numbered as 1/30.

This is an original pencil signed etching by American artist Harold Kerr Eby.  The title is: Lobster Fleet, created and printed in 1937.  A fine atmospheric study of a lone fisherman in the foggy morning bay.  This image measures 9 1/2X11 1/2 inches.  Printed in an edition of 100.