This is a fine original etching by American artist John Sloan. The title is: Sculpture in Washington Square, created and printed in 1925 in an edition of 100, printed with a blue toned ink. Pencil signed titiled and numbered in the lower border. Printed on a medium weight wove type sheet. This image appears in the Sloan catalog as image number 218. The title refers to the Garialdi statue by the Washington Arch in Washington Square.
THis is a fine color aquatint etching by French artist Louis Icart. The title is: La robe de chine,( The Silk Robe) created and printed in 1926, published by Les Graveurs Modernes, 194 rue de Rivoli, Paris. The image measures 15X18 1/4 inches. Hand signed in pencil lower right also with the windmill blindstamp and copyright information in the upper left corner. Very rich color remains, nice condition..This image appears in the Holland catalog as number 276.
This fine color etching and aquatint is by French artist Manuel Robbe. The title is: Les Bibelots. It is hand signed in pencil lower left within the image. Very rich impression, the image measures 19 5/8X13 3/8 inches. Printed on a medium weight laid type paper with the "arches" watermark. Numbered as 46 from the edition of 100.
This is an original mezzotint by British artist Sir Frank Short. The title is: "Moonrise on the Bure" This mezzotint was printed in 1922, the image measures 11X15 7/8 inches, printed on a medium weight wove type paper, pencil signed lower right and monogrammed in the plate lower left corner. A beautiful rich impression, very subtle tonal range throughout. Beautiful condition.
A fine example of the Drypoint work of French artist Jacques VIllon. The title of this work is :"L'Epingle A Chapeau", the hat pin. This image was created and printed in 1909. The image is editioned lower left as 12/20. A rare image. The drypoint measures 15X12 inches, printed on a medium weight, watermarked, laid type paper. very fine condition, a rich impression showing a velvet burr of ink throughout the figure.
This drypoint is clearly signed in pencil by the artist lower right border.
This is the famous self portrait by the Belgian printmaker, Jules de Bruycker. The setting is within his studio with a view of Ghent behind. The artist at work, this image was created and printed in 1925 in an edition of 125. The image measures 15 1/4X11 1/4 inches, printed on a wove type sheet which measures 22 1/2X15 1/2 inches. Hand signed, inscribed and dated in pencil in the lower margin.
A fine color aquatint etching by French artist Manuel Robbe. The title Naiade, was taken as The Water Nymph, after a painting by Henner. This image was created and printed in 1912. It was published by Georges Petit in Paris in an edition of 200. The image which is pencil signed measures 14 7/8X23 3/8 inches. The publishers copyright information in the upper left corner just above the image. "Manuel Robbe (1872-1936) was a brilliant printmaker who masted the aquatint technique. He was born in Paris, shortly after the Franco-Prussian War. He soon began studies at the Lycees Condorcet with Louis Legrand. In the early 1890’s Robbe enrolled at the Academie Julian and later, at the prestigious Ecole des Beaux- Arts. Here, he learned the intricacies of etching and aquatint from master etcher Eugene Delatre. He exhibited regularly at the Salons of Societe des Artistes Francais and in 1900, he received a bronze medal at the World’s Fair for his contribution to printmaking."
This is an original etching by American artist Stephen Parrish. The title is A Gale at Fecamp, it was created and printed in 1886. The image including the remarques measures 13 3/4X15 3/4 inches. It is hand signed in pencil and also has the artist's estate stamp in the lower left border. This is Parrish's only etching with such complete remarques. Showing the influence of French artist Felix Buhot. The remarques revel Parrish's lively sense of humor, showing sketches of books with such titles as Philadelphia as a Summer Resort, Etching in Summer and other gems. This is a very rare etching by Parrish, and is from a trip he took to Fecamp in 1884.
This is an original etching on toned chin collet by French artist Charles Meryon. The title is: La Pompe Notre-Dame, Paris. This etching was created in 1852. The image measures 6 3/4X10 inches. It is the VII/IX state, 7th of 9. In the bottom margin is printed the title, "Public Par L'Artiste" in the lower left. In the lower right is "Imp. A. Delatre, R.s. Jacques 171" This image appears in the Delteil catalog as image number 31...
Ink and wash, image size 9 3/4 x 13 7/8 inches, inscribed on reverse "J. Bosch 1773 in de manier van N. Berchem met stoffazie na A.v.d.Velde" (In the manner of Nicolae Berchem [Dutch, 1620-1683] and Adriaen van de Velde [Dutch, 1636-1672]), framed.
Original etching and drypoint by French artist of the Belle Epoque era, James Jacques Tissot. The title is: L'Ete, this image was created and printed in 1878 in an edition of 100 unsigned proofs. The image measures 14 3/4X8 3/8 inches. Printed on a cream toned laid paper. The sitter is Kathleen "Kate" Newton (1854-1882), Tissot's Irish muse and mistress from 1871-82. Tissot portrayed her as a personification of summer in this etching. This image appears in the Wentworth catalog as image no. 43...A very fine impression in an archival picture frame.
This is a fine original etching done in drypoint by American artist Frank Benson. The title is The Bridge, created and printed in 1923 in an edition of 150. This pencil signed impression measures 13 3/4X10 3/4 inches. The image appears in the Ordeman catalog as image number 227. Printed on a medium weight Whatman paper.
This is an original etching by American artist James McNeill Whistler. The title is Soupe a Trois Sous, created and printed in 1859. This image is plate signed Whistler upper center of the image, printed on a thin laid type sheet. The subject : Whistler's first title, 'Café des Pieds Monilles' implies a particular café. 'Café des Pieds Monilles' is almost certainly a garbled reference to the Parisian Café des Pieds-Humides ('Café of the Wet Feet'). However, this title seems to have been immediately rejected in favour of the more familiar 'Soupe à trois sous'. The Café des Pieds-Humides was established in 1845 opposite the Rue aux Fers and the Fontaine des Innocents near Les Halles. According to a popular legend, the water would pour inside when it rained and wet the customer's feet, hence the name.
This is an original watercolor, gouache and pencil drawing on illustration board, of two Nude Sunbathers by New York artist Gladys Rockmore Davis. This drawing is hand signed in pencil lower image. It measures an image of 7 1/2X12 1/2 inches, custom framed with archival boards. The frame measures 17 1/2X22 1/2 inches. Davis was an American artist who worked in both commercial and fine arts. She gave up a career in advertising art to work in creative painting. Her chief subjects are children, nudes, and still lifes. She also painted ballet dancers, vignettes of liberated Paris, and scenes of Spain. This work is in fine condition.
This is an extremely rare lithograph by American artist Louis Lozowick. The title is: Skating, a view of Central Park in Winter. This image is hand signed and titled in pencil. It was published in an edition of 10 or less For the Federal Art Project, New York City. In the bottom border next to the title is a very faint, faded, WPA stamp. There is some old glued residue at the upper back of the sheet, it is not visible on the image side. Overall in very fine condition. This image appears in the Flint catalog as image number 139. Printed on a medium weight wove type sheet.
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