Prints

Etching, image size 8 7/8 x 5 3/4 inches, 1909, edition of 9, cat: Hardie-55, pencil signed l.r, "W Lee Hankey", plate initialed l.r. and artist seal l.c.

Engraving after Charles Coypel, 2nd state with the correction "modele," image and plate size 16 1/8 x 11 7/16 in, Gray Coll. #1028, Fogg Museum provenance

This framed lithograph by Engelmann after Vernet, measures 17 x 10 3/4 inches. It is plate signed and titled on the lower margin. Godefroy Engelmann was born in 1788 in Mühlhausen, France and trained in Switzerland and France at La Rochelle and Bordeaux. He studied painting and sketching in Jean-Baptiste Regnault’s atelier in Paris. In the summer of 1814 he traveled to Munich, Germany to study lithography and is largely credited with bringing lithography to France.

Etching, image size 10 3/16 x 8 1/2 inches, subsequent to Hardie, pencil signed.

This atmospheric winter scene by the American artist, Ronau Woiceske measures 8 3/8 x 11 inches, pencil signed and titled. Woiceske was born in Bloomington Indiana and studied at the St Louis School of Fine Arts and at the Artist Colony in Woodstock, NY with Birge Harrison and John Carlson. He was involved in the WPA, and became known for his atmospheric etchings of snowy winter scenes. He was a member of the Philadelphia Print Club and the National Association of Etchers.

This is a drypoint etching from 1912. Plate measures 13 1/4 x 9 1/2 inches in a 21 1/2 x 17 1/2 inch gold frame. Edition of 200, from the Paris series. Signed in the plate in the lower right, with the publisher's blindstamp, le Cercle Moderne, in the lower left. Probably printed by the artist in black ink on cream wove paper with full margins, as issued. A fine impression with a rich drypoint burr.

Pencil signed and dated etching. Plate measures 10 x 8 1/4 inches on 18 x 11 1/4 inch watermarked laid-type paper. Ed. 100 in pencil in the lower left. Cat: Fletcher 249. C. 1932 French Church series #35.

Engraving, image size 16 1/8 x 21 1/8 inches, c. 1940s, edition of 100, pencil signed and editioned.

Etching, image size: 3 7/8 x 5 inches, 1888, cat. schneider-145, pencil signed lower right.

This is an original pencil signed and titled woodblock print by American artist Isac Friedlander. The title of this work is "Jeremiah", created and printed circa 1940. The image measures 6 3/4X5 7/8 inches. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.

Engraving after Philippe de Champagne. Randall 1485. Image size 17 x 12 1/4 in, sheet size 17 7/8 x 13 in.

Engraving after Philippe de Champagne. Randall 1487. Image size 17 x 12 3/8 in, sheet size 18 3/8 x 13 3/4 in.

This is an early engraving by Bernardus Baron (1696-1766) Portrait of "John, Count of Nassau-Siegen and family", This engraving was created and printed in 1761. It is after the painting by Van Dyck. The engraving measures 20 1/2X18 1/2 inches, trimmed on the three sides, a tear in the upper right corner, not into the image area.Printed on a heavy weight laid type paper.

Pencil signed etching by the Austrian Expressionist Wachelmayr. Image size is 6 x 7 3/8 inches on 9 3/4 x 14 3/4 inches wove-type paper. Circa 1917.

This is a rare original lithograph by American artist and lithographer William Morris Hunt. The image size is 7 1/2 x 5 5/8 inches, published in a small edition in 1857, after the painting by Hunt which is now in the collection of the MFA Boston. William Morris Hunt was one of the earliest American lithographers. He was also a painter and studied the French Barbizon style in Europe with Millet, a close friend. Hunt is widely credited with bringing the Barbizon style of painting back to the U.S.