This is a fine original wood engraving by Leo Meissner. It is titled: Chesapeake Boats, created and printed in 1934. Hand signed, titled and dated in pencil lower border. The image measures 10X7 inches. Printed on a medium weight wove type sheet.
This is a fine original wood engraving by Leo Meissner. It is titled: Chesapeake Boats, created and printed in 1934. Hand signed, titled and dated in pencil lower border. The image measures 10X7 inches. Printed on a medium weight wove type sheet.
This is a finely detailed etching by American artist Max Kuehne. The scene is: New York from Weehawken, N.J. It was created and printed circa 1930's. The image measures 10X13 1/2 inches. Pencil signed and titled in the lower border. Printed on a J. Whatman medium weight laid type paper.
The is a beautiful original wood engraving by American artist Leo Meissner. The title is: Canyon Grandeur, Sabino Canyon, Arizona. This pencil signed and titled image was created and printed in 1954. This is numbered as 7/65. The image measures 7 1/2X8 1/2 inches. Beautiful condition. Printed on a medium weight wove type sheet.
This is a drypoint etching by French artist Louis Legrand. The title is : English Bar, from his Album Les Bars, published by Pellet in Paris in 1909. This impression is from the first state of three with the Remarque of a Woman in Profile. The image measures 9 3/4X5 5/8 inches. Hand signed in pencil, printed on a Japon type paper. Numbered as 1/30.
This is an original color etching by American artist Dorsey Tyson. It is titled: A Chinese Gong, it was created and printed in 1929.. The image measures 8X6 inches. It is pencil signed, dated and numbered 19/100 in pencil in the lower border. Matted not framed.
This is a fine drypoint etching on copper by American artist Frank Benson. The title is Rising Geese, it was created and printed in 1924 in an edition of 150, printed on Whatman Paper. The image measures 6 7/8X8 3/4 inches. This image appears in the Ordeman catalog as image number 238
This is a rare early state etching by American artist Frank Benson. The title is On Set Wings, created and printed in 1923. This is a trial proof, hand signed in pencil, before the addition of the clouds and lines at the shore. This image was later used as a frontispiece for Volume III of the Paff catalog. The image measures 4 1/2X5 7/8 inches. The image appears in the Ordeman catalog as image number 223.
This is a fine block print by Kansas artist Clara Colline (1881-1945) The title written in pencil lower left is: Wind in the Cottonwoods. THis image done circa 1920 is hand signed in pencil and has an image size of: 9X11 3/4 inches. Colline was a student of Birger Sandzen. His influence is clearly seen here.
Etching, image size 10 x 6 inches, 1911, edition of 25, Hardie 77, pencil signed with blindstamp.
This is a great London etching by American artist Clifford Addams, image size 8 7/8 x 7 1/2 inches, c. 1902, edition of 75, inscribed in the plate, "Loci dulcedo nos attinet" (the sweetness of the place holds us), pencil signed and numbered. Clifford Addams grew up outside Philadelphia and studied art in the U. S. before leaving to further his studies in Europe. He traveled extensively throughout Holland, France, Spain, Italy and Britain, and spent several years in London studying etching with Whistler. He later returned to the U. S. and worked out of studios in both New York and London. He was known for his European city scenes, such as this Whistleresque image of a man gazing out over the busy Thames.
Printed on laid-type paper. Pencil signed with an "imp" after his name indicating he was the printer. Inscription in the lower left says "Rose." Image is 11 2/8 x 12 3/8 inches on 11 3/4 x 14 1/2 paper. c. 1910.
This is a fine original etching by British printmaker Ernest Lumsden. The title is: Mosque and Temple, created and printed in 1914 as plate no. 2 from His Indian Series. This etching is hand signed in pencil with the "imp" after his name meaning that he printed this impression himself. It is also inscribed as: "4th trial state no. 2" lower left border. It appears in the Lumsden catalog as image number 167. The image measures 8X9 7/8 inches. Printed on a medium weight wove type sheet.
This c.1925 etching by William Meyerowitz measures 7 7/8 x 9 7/8 inches, plate and pencil signed, framed. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.
This is a fine drypoint etching by British artist Sir Henry Rushbury. The subject is the destruction of St. Olave's cathedral on Tooley Street in Bermondsey. This drypoint is hand signed by the artist with pen and ink in the lower border. The image measures 11 3/8X8 1/16 inches. Very richly printed on a medium weight wove type paper. This image created in 1927. "the demolition in process of a historic London dockside church, St Olave's, Bermondsey/ Southwark. This took place because of local depopulation and the church being given 'redundant' status. Demolition took place in two stages and Rushbury has cleverly seized the moment when the nave was all but destroyed (1926) but the tower was still intact. This didn't last long, and it was demolished in turn in 1928. Building materials and debris litter the foreground."
This is a fine original pencil signed etching by American artist Ernest Roth. This New York View is of Union Square, created and printed in 1929. The image measures 9 7/8X7 1/2 inches. Printed on a medium weight "F.J. Head" watermarked laid type paper.
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