Prints

This is a very fine impression of the etching titled: Boston Stump, created and printed by American artist Harold Kerr Eby in 1925.  The subject is the tower of St. Botolph's Church in Boston, England.   This etching printed in an edition of 90 has an image size of 14 1/8X9 3/8 inches.  It is pencil signed lower right and has the 'imp" after his name meaning that he printed this impression himself.  This etching is in a fine Frame using archival materials.

Engraving after Raphael; prov.Randall 3739;According to Thies "Baron Rumohr (Italienische Forschungen, III.p.119) considers it, mentioning this very engraving, a very fine repetition or duplicate, and by no means a mere copy, of the well known picture, for the Cabinet Crozat, Np 28."

This is an original etching by French artist Auguste Louis Lepere.  The title is: La Mare de la Prairie, Crèvecoeur, it was created and printed in 1913.  This appears to be an earlier state.  The image measures 6X10 inches.  It has the edition as 27/35.  This etching is hand signed in pencil lower right, printed on a medium weight laid type paper.  THis image appears in the Saunier catalog as image number 404.

A richly inked drypoint etching from 1926. Catalog reference: Gaunt 325. Edition of 53. Pencil signed in the lower right. Plate measures 11 3/4 x 16 3/4 inches on 18 1/4 x 23 1/2 inch wove type paper. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.

This is an original pencil signed engraving by Argentinian artist Hemilce Saforcada. The image measures 18X11 1/4 inches.  This image is numbered as 2/5.  Later appears in the book Portrait of Latin America as seen by her print makers, 1946.  Printed on a medium weight wove type sheet.  On the back is a collector stamp "Zorin Collection"

This is a pencil signed etching by American artist Stephen Parrish.  The title is: On the Rance, Brittany.  It was created and printed in 1887.  The image measures 4 3/4X9 1/4 inches, printed with a warm toned ink.  A small imperfection at the upper edge of the plate.  It appears to have been a flaw in the copper plate.  This River runs through Dinan on its way north to St. Malo in Brittany.  This etching is framed with archival materials.

Engraving, image size 2 5/8 x 3 7/16 inches, 1635, inscribed "Jesus adductam ad se mulierem adulteram absoluit."

Etching,image size 7 3/4 X 8 inches, 1918, edition of 100, Hardie 152, artist blindstamp, pencil signed.

Lithograph with lithotint on zinc by the American artist, Arthur Bowen Davies, measures 12 5/8 x 19 inches, signed in the image, l.r., edition of 25 or less, printed by George C. Miller, i/ii, 1921, cat: Czestochowski-192. Davies was known for his unique decorative style, often visualized in a fantasy world of female figures. One of the most respected and successful American artists, he was a member of the "Eight" and was the principal organizer of the 1913 Armory Show.

Etching, image size 10 5/8 x 12 3/8 inches, 1926 (Cahill, 43). Signed "Pop Hart" (and with monogram) in pencil l.r. Etching and aquatint on paper

This is an original etching by American 19th century printmaker, Stephen Parrish.  The title is: A Showery Day, St. Augustine  This image was created and printed in 1884.  The image measures 5 5/8X9 5/8 inches.  It is hand signed in pencil and has the title written in the artists hand in the lower margin.  Printed on a medium weight wove type paper.  This image appears in the Schneider catalog as image number 100.

Engraving after van Dyk; de Beauvais was a student of G. Audran; Engraved for the Dresden Gallery; prov. Fogg Museum, JWRandall Coll 14088; image size 12 3/16 x 13 3/8 inches; plate size 14 5/8 x 14 5/8 inches

Engraving, image size 14 1/4 x 12 3/4 inches, c. late 1940s, pencil signed. A portrait of poet Daniel Sargent's daughter.

Plate signed in the lower left, ink signed in the lower right. Plate size measures 9 3/4 x 11 3/4 inches on 11 1/2 x 13 1/4 inch laid type paper. The scene depicted is a street in Gloucester. Good use of plate tone and a rich drypoint burr. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.

Etching with drypoint, image size 4 1/8 x 12 3/4 inches, 1922, pencil signed.