Prints

Small version, etching, image size: 6x3 1/2, plate signed

This detailed French etching measures 10 x 7 3/4 inches. Created in 1853, it is plate initialed, titled and dated. The inscription on the lower margin reads "La Cabane des bucherone, dans les bois du Buron, pendant l'automne de 1853."

Color woodblock print from the series "24 Paragons of Filial Piety." Print measures 13 1/4 x 8 7/8 inches on 14 1/8 x 9 3/4 inch laid paper.

This is an original woodblock print by American artist Albert Abramovitz.  This view of roof tops is pencil signed lower right border.  The image measures 10X12 inches , printed on a medium weight laid type paper.  Created and printed circa 1920's.

This 1927 etching by the American artist Roland Clark measures 7 7/8 x 9 3/4 inches, pencil signed and titled. Roland Clark studied at The Art Students League with J. Carroll Beckwith in New York. An avid outdoorsman he combined his love of the outdoors into his many paintings and etchings. Selected to do the 1938 Federal Duck Stamp Design, he also wrote and illustrated books about his hunting experiences.

This is an original etching and dry point by British born artist Nathaniel Long.  The title lower left is " Morning" edition 10/75.  The image measures 8X9 5/8 inches.  Hand signed lower right in pencil.  Printed on a medium weight laid type paper.  

Color woodblock print C. 1858. A collaboration between Hiroshige II, Toyokuni II, and Kunisada. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. Date seal: horse 12.

Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

This is a fine  pencil signed etching by American artist Edith Penman (1860-1929)  The title is Landscape, thought to be the Orchard at St. John's College, created and printed in 1888.  This etching has an image size 3 1/4X4 7/8 inches.  Printed on Japanese vellum paper.  Another impression of this etching is in the collection of The Parrish Art Museum in Southampton.  Nicely framed with archival matting.

This is a drypoint etching from April 1931. Edition of 100. Catalog: BPL 105. Pencil signed in the lower right, pencil numbered 3 out of 100 in the lower left. Plate measures 11 x 12 inches on 14 x 15 inch Rives watermarked wove paper. Chamberlain captures this brightly lit scene with breathtaking detail. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Etching, image size 7 x 9 1/4 inches, published in 1926 by Guiot, Paris, signed and editioned in pencil, red collectors seal l.l.

Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".

This is a drypoint etching from 1910. Pencil signed in the lower right, plate signed in the lower right. Pencil numbered in the lower left 9/50. Plate measures 9 1/2 x 8 inches on chine colle.

A richly inked original etching of a sunny European city street, this image measures 11 1/2 x 7 1/2 inches, published in 1950 for the Chicago Society of Etchers, pencil signed and inscribed "To my friend J. R. Brownell".