Prints

This is a rare original etching by American artist Stephen Parrish.  The title is: "Northern Moorland,Marblehead".  It was created and printed in 1881.  The image measures 8 3/4X16 1/8 inches.  This image is plate signed and has the Parrish family stamp in the border on the far left.  This image appears in the Schneider catalog as image number 42.

Etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.

This is a drypoint etching from November 1929. Edition of 100. Catalog: BPL 88. Pencil signed in the lower right, pencil numbered 59 out of 100 in the lower left. Plate measures 13 1/2 x 8 1/4 inches on 16 x 11 inch Rives watermarked wove paper. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

This is an original etching by American artist Troy Kinney.  The title of this work is: "The Rehearsal", it  was created and printed in 1929.  The subject is the Rehearsal of the Gavrilov Ballet Troupe, with Mr. Anesander Gavrilov and Miss Geraldine Spencer.  This etching is pencil signed and inscribed," with best wishes to my friend Dr. Conrad Bevens...?  The image measures 8 1/2X11 3/4 inches.  Printed on a medium weight wove type paper.

Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".

A wood engraving from 1940. Numbered 8 out an edition of 12. Pencil signed and dated in the lower right. Pencil titled and editioned in the lower left. Plate measures 8 x 10 inches on 10 1/2 x 12 inch thin laid paper.

Pencil and plate signed in bottom right. Plate size measures 6 3/4 x 5 3/4 inches on 11 1/2 x 9 1/4 wove type paper. Featured in Fine Prints of the Year in 1927.

This is an original etching by British artist David Y. Cameron.  The title is: Ayr, Bremen, Vienna.  It was created and printed in 1889.  The image is pencil signed in pencil by the artist and the image measures 6 11/16X11 3/4 inches.

This 1941 etching by John Winkler measures 13 1/2 x 8 1/4 inches and is pencil signed. Winkler was originally from Austria coming to America at the age 16. After various jobs he impulsively enrolled in the San Francisco Art Institute and soon discovered his talent as an etcher. He became good friends with John Taylor Arms as well as Arthur Heintzelman. His works are found in many major museums throughout the US and Europe.

This 1927 etching by the American artist Roland Clark measures 7 7/8 x 9 3/4 inches, pencil signed and titled. Roland Clark studied at The Art Students League with J. Carroll Beckwith in New York. An avid outdoorsman he combined his love of the outdoors into his many paintings and etchings. Selected to do the 1938 Federal Duck Stamp Design, he also wrote and illustrated books about his hunting experiences.

Etching Dry-Point, image size 4 5/8 x 6 3/8 inches, Hardie 157, 1919, edition of 100, blind stamp, pencil signed.

Etching, image size: 6 x 8 15/16 inches, pencil signed lower right

Color woodblock print C. 1886. From the series "Collection of Night Tales." Print measures 13 x 8 7/8 inches on 13 3/4 x 9 1/4 inch japanese rice paper.

Small version, etching, image size: 6x3 1/2, plate signed

Plate signed in the lower left. Signed in ink in the lower right. Edition of 30. Titled and editioned in ink near bottom edge of paper. Print is adhered to matboard. Plate measures 6 1/2 x 8 1/8 inches on 10 1/2 x 13 3/4 inch paper. A sharp, finely detailed etching with rich drypoint burr of daily life on a busy street in Covent Garden Market against the backdrop of St Paul’s Church portico.