Prints

Drypoint etching, image size 6 1/2 x 11 inches, 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontaine, Ile-de-France, exhibits Chamberlain's ability to create subtle gradations in plate tone.

This is a drypoint etching from February 1931. Edition of 100. Catalog: BPL 104. Pencil signed in the lower right, pencil numbered 35 out of 100 in the lower left. Plate measures 14 1/4 x 9 1/2 inches on 16 1/2 x 11 1/2 inch Rives watermarked wove paper. A well inked, exquisitely detailed etching. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

A great image of a Spanish bull fight, this etching with drypoint measures 10 1/8 x 11 1/2 inches, published in 1929 in an edition of 100, pencil signed and numbered. Hermine David was born and raised in Paris and at the age of 16 was accepted into the Ecole Des Beaux Arts, later going on the study at the Academy Julien. She was a well known painter and printmaker and was very active in the thriving artist community in Paris in the early 20th century. She was married to fellow artist Jules Pascin for several years, but in 1920 the couple divorced and David set up her own studio in Montparnasse. She went on to have a long successful career as an artist and illustrator and was awarded the Legion of Honor in 1932.

Engraving after Rene Guido. First state, with the words "A Paris chez" before the address of N. Poilly. Randall 1670. Image size 14 3/4 x 12 1/8 in, sheet size 16 7/8 x 12 1/2 in.

Etching, image size 7 5/8 x 4 5/8 inches, c. 1930, unsigned, printed on laid paper, re-strike.

This is an original woodblock print by American artist Albert Abramovitz.  This view of roof tops is pencil signed lower right border.  The image measures 10X12 inches , printed on a medium weight laid type paper.  Created and printed circa 1920's.

Etching from the series "The Life of Saint Monique," image size 6 7/8 x 4 5/8 in, 1930, monogram in plate

Engraving 13 in an edition of 30. Pencil signed, titled and editioned. C. 1930. 4 1/4 x 7 inches on 10 3/4 x 13 3/4 inch light wove type paper.

Color woodblock print C. 1859. A collaboration with Toyokuni II and Hiroshige II. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. An earlier state. Print measures 13 x 8 7/8 inches on 13 3/4 x 10 inch thick laid paper.

Drypoint, image size 12 3/4 x 9 5/8 inches, pencil signed

This is a fine original etching by British artist Robert Austin.  The title: Medicanti (The Beggars)  is hand signed in pencil and dated 1924.  The image measures 4 1/2X3 3/4 inches.  Printed on a medium weight laid type paper with the P.G. Head watermark.

Engraving, after Raphael;4th state w/ coat of arms erased - center lower edge - and traces of the erasure.

Color woodblock print C. 1859. A collaboration with Toyokuni II and Hiroshige II. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. A later state. Print measures 13 x 8 7/8 inches on 13 3/4 x 10 inch thick laid paper.

Etching, image size: 7 x 10 1/8 inches, pencil signed, 1919, ed. 3/50

Plate signed and dated 1920. Signed "Lumsden imp" indicating that the artist printed it himself. A skillfully done portrait with a rich drypoint burr. Plate measures 5 7/8 inches x 8 1/4 inches on 9 1/4 x 11 1/8 inch thin watermarked laid type paper. The subject is the Reverend Nathaniel Royds, the father-in-law of the artist.