This is an original pencil signed and titled lithograph by American artist Lilly S. Converse. The title is Cotton-Wood Grove, Taos, created and printed circa 1940's numbered as 8/25. The image measures 9 3/4X13 3/4 inches. Printed on a wove type sheet. This came from the collection of Henry Emil Scherer.
This etching with aquatint by the German artist, Johann Gottlieb Theophilus Amadeus Prestel, measures 12 5/8 x 18 1/2 inches, 1784, in two colors on green paper, plate signed and dated, after Parmigianino, artist info on backing, thread margins all around.
This is a large original etching by British artist William Lee-Hankey. The title is: The Drapery Market, circa 1920-30's...The image is in nice condition, hand signed in pencil in the lower border, with the artists blind stamp lower left. Printed on a medium weight laid type sheet with watermark. The image measures 12x13 3/4 inches. (Our photo shows only a partial view of this etching)
This is an original etching and drypoint by Scottish artist David Young Cameron. This image created in 1932 is titled: Castle Moyle, located on the Isle of Skye. The image measures 6 7/8X10 7/8 inches, signed in the plate and also hand signed in pencil in the lower border. Printed on a medium weight laid type sheet with unicorn watermark.
This is a drypoint etching from November 1929. Edition of 100. Catalog: BPL 88. Pencil signed in the lower right, pencil numbered 59 out of 100 in the lower left. Plate measures 13 1/2 x 8 1/4 inches on 16 x 11 inch Rives watermarked wove paper. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.
Etching, image size 6 1/4 x 8 1/2 inches, pencil signed l.l., plate initialed l.l., artist blindstamp l.r., very rare image, number one of 12 impressions, small repair in the image.
Pencil signed in the lower right. An inscription in the lower left of the paper reads "Wine Shop at Royalbourne," a possible title. Plate size measures 10 7/8 x 8 7/8 inches on 16 3/4 x 12 1/4 inch medium-weight wove-type paper.
Plate size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.
This is a fine original etching by American artist Gabrielle de Vaux Clements. This image of sailboats in Gloucester Harbor is pencil signed lower right, It has an image size of 3X3 inches. Printed on a medium weight wove type sheet.
This is an original etching by American artist Gifford Beal. The title is Afterglow, created and printed in 1940 in an edition of 100. This etching is pencil signed and numbered. The image measures 9X11 3/4 inches. This image came to us directly from the artist's family.
A rare original etching by German Impressionist artist Lesser Ury, image size 6 1/2 x 5 3/ 8 inches, c. 1920, edition of 100, pencil signed. There is a repaired tear along the entire top margin, but it does not affect the image and will be easily covered by a window mat.
This is a fine early impression of the etching by Adolphe Appian titled: Un Jour d'automne a Artemare . Created and printed in 1871. This impression was done before the later type setting with titled and publisher printed on the bottom border. This image appears in the Curtis catalog as image number 32. The image measures 4 3/4X8 1/4 inches. Signed upper right within the plate. A rich impression on a chine applique sheet adhered to a thicker she of wove type paper. This impression was the first state of four. i/iv.
Etching, image size: 2 7/8 x 5 1/4 inches, 1846, plate signed
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